#tbt: What Erik Bruhn Believed Audiences Deserved From Artists
In the September 1968 issue of Dance Magazine, we caught up with Erik Bruhn as he reflected on his first year as artistic director of the Royal Swedish Ballet. Throughout his career as a dancer, choreographer and director, Bruhn came to be heralded as one of the most poetic, expressive artists of his time. Rather than exchange performing for directing when he joined the Royal Swedish Ballet, Bruhn decided he had enough virtuosity for both. Whether it was himself or his dancers onstage, he demanded the same artistry. He told us, "I've said to my dancers that you have a theatre, a floor, an audience, a life-long job, and a pension, too. But you have a responsibility, too, towards that floor, that space, that audience. You have a responsibility to fill it not just with adequate dancing, but with the very fiber of your lives."
- The Erik Bruhn Prize | The National Ballet of Canada ›
- erik bruhn dies in toronto; top dancer of his generation ›
- Erik Bruhn | Danish dancer | Britannica.com ›
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