#tbt: What Erik Bruhn Believed Audiences Deserved From Artists
In the September 1968 issue of Dance Magazine, we caught up with Erik Bruhn as he reflected on his first year as artistic director of the Royal Swedish Ballet. Throughout his career as a dancer, choreographer and director, Bruhn came to be heralded as one of the most poetic, expressive artists of his time. Rather than exchange performing for directing when he joined the Royal Swedish Ballet, Bruhn decided he had enough virtuosity for both. Whether it was himself or his dancers onstage, he demanded the same artistry. He told us, "I've said to my dancers that you have a theatre, a floor, an audience, a life-long job, and a pension, too. But you have a responsibility, too, towards that floor, that space, that audience. You have a responsibility to fill it not just with adequate dancing, but with the very fiber of your lives."
More than once, when I'm sporting my faded, well-loved ballet hoodie, some slight variation of this conversation ensues:
"Is your daughter the dancer?"
"Actually," I say, "I am."
"Wow!" they enthuse. "Who do you dance with? Or have you retired...?"
"I don't dance with a company. I'm not a professional. I just take classes."
Insert mic drop/record scratch/quizzical looks.
You nominated your favorite dance moments so far in 2019, and we narrowed them down to this list. Now it's time to cast your vote to help decide who will be deemed our Readers' Choice picks for the year!
Voting is open until September 17th. Only one vote per person will be counted.
Just four years ago, the University of Southern California's Glorya Kaufman School of Dance welcomed its first class of BFA students. The program—which boasts world-class faculty and a revolutionary approach to training focused on collaboration and hybridity—immediately established itself as one of the country's most prestigious and most innovative.
Now, the first graduating class is entering the dance field. Here, six of the 33 graduates share what they're doing post-grad, what made their experience at USC Kaufman so meaningful and how it prepared them for their next steps:
The 2019–20 season is here, and with it more performances than any one person could reasonably catch. But fear not: We polled our writers and editors and selected the 31 most promising tickets, adding up to one endlessly intriguing year of dance.