Everything You Need to Know About Becoming A Dance Therapist
You don't need to be a performer to make a positive impact through dance. Dance/movement therapists use movement to approach a patient's health holistically, working with populations as diverse as teenagers dealing with anxiety, veterans suffering from trauma and elderly patients with dementia or Alzheimer's. What makes for a good dance therapist? "They've seen the power of movement in their own life. And they have empathy for other people and for what's going on in the world," says Nancy Beardall, dance/movement therapy coordinator at Lesley University.
What is Dance Therapy?
The American Dance Therapy Association defines dance/movement therapy as "the psychotherapeutic use of movement to promote emotional, social, cognitive, and physical integration of the individual." Practically, what this means depends on what kind of setting the therapist is working in, says Beardall. Dance therapists can work in private practice, nursing homes, schools, hospitals, rehabilitation centers and other environments, where they combine the work of a traditional therapist with a deep knowledge of the body and how movement is connected to our overall health.
How Do You Become a Dance Therapist?
Antioch students and faculty. Photo by Melinda Garland, courtesy Antioch
There are two ways to get accredited in the U.S.
1. Earn a master's degree from one of the seven ADTA-approved programs lasting two to three years:
• Antioch University
• Columbia College Chicago
• Drexel University
• Lesley University
• Naropa University
• Pratt Institute
• Sarah Lawrence College
Programs are about 60 credits and include two internships, plus lots of experiential learning.
2. Students with a master's degree in a related subject can participate in Alternate Route, a self-guided program that allows students to combine coursework, fieldwork and an internship to earn accreditation.
What About Undergrads?
Undergraduate DMT programs don't offer certification. Photo via colum.edu
These schools offer preparatory dance/movement therapy programs and courses for undergraduates:
• Columbia College Chicago
• Drexel University
• Endicott College
• Goucher College
• Lesley University
• Manhattanville College
• Nazareth College
• Queens College
• Seton Hill University
Studying dance therapy in undergrad is by no means a requirement for pursuing it in in graduate school; Beardall says the majority of her students majored in dance and minored in psychology, or vice versa. (Some psychology prerequisites are required for ADTA master's programs.)
What Should You Know Before Becoming a DMT?
Erica Hornthal works with a variety of patients at her DMT practice. Photo courtesy Hornthal
Tomoyo Kawano, director of Antioch University's dance/movement therapy and counseling program, emphasizes that DMTs may find themselves having to advocate for movement as a viable psychotherapeutic treatment. "They need to have that conviction," she says. "It's important to explore if that's something they want to pursue for the rest of their lives."
How can students be sure that dance/movement therapy is right for them? Erica Hornthal, founder of Chicago Dance Therapy, suggests undergraduates talk to a DMT or try to shadow one. Students can also attend ADTA conferences, and watch the organization's video series at adta.org/adta-talks.
How Much Dancing Is Involved?
The amount of actual dancing depends on the setting and the patient. Sometimes patients dance to "have someone witness what they want to express," says Hornthal; other times sessions are sedentary, with the DMT trying to connect a patient's experience to their breath or their posture. For Beardall, it's less about dancing and more about patients being expressive, and their feelings, patterns and preferences coming out through movement.
- American Dance Therapy Association ›
- Dance / Movement Therapy ›
- What is Dance/Movement Therapy? | ADTA ›
- What Is Dance Movement Therapy? | Psychology Today ›
Thirty years ago, U.S. Joint Resolution 131, introduced by congressman John Conyers (D-MI) and Senator Alphonse D'Amato (R-NY), and signed into law by President G. W. Bush declared:
"Whereas the multifaceted art form of tap dancing is a manifestation of the cultural heritage of our Nation...
Whereas tap dancing is a joyful and powerful aesthetic force providing a source of enjoyment and an outlet for creativity and self-expression...
Whereas it is in the best interest of the people of our Nation to preserve, promote, and celebrate this uniquely American art form...
Whereas May 25, as the anniversary of the birth of Bill "Bojangles" Robinson is an appropriate day on which to refocus the attention of the Nation on American tap dancing: Now therefore, be it resolved by the Senate and House of Representatives of the United States of America in Congress that May 25, 1989, be designated "National Tap Dance Day."
Happy National Tap Dance Day!
The way we create and consume dance is changing every day. Now more than ever, the field demands that dancers not only be able to perform at the highest level, but also collaborate with choreographers to bring their artistic visions to life. Dancers who miss out on choreographic training may very well find themselves at a disadvantage as they try to launch their careers.
Over the past 15 years, Gesel Mason has asked 11 choreographers—including legends like Donald McKayle, David Roussève, Bebe Miller, Jawole Willa Jo Zollar, Rennie Harris and Kyle Abraham—to teach her a solo. She's performed up to seven of them in one evening for her project No Boundaries: Dancing the Visions of Contemporary Black Choreographers.
Now, Mason is repackaging the essence of this work into a digital archive. This online offering shares the knowledge of a few with many, and considers how dance can live on as those who create it get older.
When a musical prepares to make the transfer from a smaller, lesser-known venue to Broadway (where theaters hold 500-plus seats), often there's a collective intake of breath from all involved. After all, a bigger house means more tickets to sell in order to stay in the black, and sometimes shows with even the most tenacious fan bases can't quite navigate such a jump. But what about the transfer from stage…to screen? Is Broadway ready to be consumed from the comfort of your couch?
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Since Shea New, the festival's artistic director, founded the festival in 1998, she's worked tirelessly with McCallum's director of education and festival producer, Kajsa Thuresson-Frary, and stage manager and festival production manager Joanna Fookes to build a festival that nurtures choreographers, highlights high quality work, powerfully engages the local community and cultivates an audience base for dance in the Coachella Valley. The trio is backed by a strong team of professionals at McCallum and the brilliant volunteers from the local and national level who serve as adjudicators.
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Daphne Lee was dancing with Collage Dance Collective in Memphis, Tennessee, when she received two difficult pieces of news: Her mother had been diagnosed with multiple myeloma cancer, and her father had Parkinson's disease, affecting his mobility and mental faculties.
The New Jersey native's reaction: "I really need to move home."
Summer is almost upon us, and whether you're a student about to go on break or a pro counting the days till layoff, don't forget that with warm weather comes a very serious responsibility: To maintain your cross-training routine on your own.
Those of us who've tried to craft our own cross-training routine know it's easier said than done. So we consulted the stars, and rounded up the best options for every zodiac sign. (TBH, you should probably consult an expert, too—we'd recommend a physical therapist, a personal trainer or your teacher.)
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But as routine as icing our injuries might be, the benefits are not actually backed up by scientific studies. And some experts now believe icing could even disrupt the healing process.
I'm a contemporary dancer, and I'm nervous about trying to get pregnant since I can't predict if it might happen during the middle of the season. We have a union contract that is supposed to protect us. But I'm scared because several of my colleagues' contracts weren't renewed for no particular reason. Having a big belly could be a big reason to get rid of me!
—Andrea, New York, NY
When the going gets tough, the tough start dancing: That's the premise behind "Dance of Urgency," a recently opened exhibit at MuseumsQuartier Vienna that features photos, video and other documentary material relating to the use of dance as political protest or social uprising.
The groups featured in the show, largely based around clubs and electronic dance music scenes, span the globe and respond to a variety of issues—from inequality and social stratification to racial divides to crackdowns on club culture itself.
Last night, longtime theater legends (including Chita Rivera herself!) as well as rising stars gathered to celebrate one of Broadway's danciest events: the third annual Chita Rivera Awards.
The evening paid tribute to this season's dancer standouts, fabulous ensembles, and jaw-dropping choreography—on- and off-Broadway and on film.
As usual, several of our faves made it into the mix. (With such a fabulous talent pool of nominees to choose from, we're glad that ties were allowed.) Here are the highlights from the winner's list:
When you're a foreign dancer, gaining legal rights to work in the U.S. is a challenging process. It's especially difficult if you're petitioning to work as a freelance dancer without an agent or company sponsorship.
The process requires professional muscle along with plenty of resources and heart. "There's a real misnomer that it's super easy," says Neena Dutta, immigration attorney and president of Dutta Law Firm. "People need to educate themselves and talk to a professional."
Here are four things every foreign dancer who wants to work in the U.S. needs to know to build a freelance dance career here.
What does it take to "make it" in dance? It's no secret that turning this passion into a profession can be a struggle. In such a competitive field, talent alone isn't enough to get you where you want to be.
So what kinds of steps can you take to become successful? Dance Magazine spoke to 33 people from all corners of the industry to get their advice on the lessons that could help us all, no matter where we are in our careers.