Fabrice Calmels as Othello in Lar Lubovitch's Othello. Cheryl Mann, Courtesy Larisa Elizondo.

Fabrice Calmels Leaves the Joffrey Ballet After Nearly 19 Years

Joffrey Ballet dancer Fabrice Calmels announced Monday that he'll take his final bow with the company after a performance of Nutcracker on December 29.

Born in France, Calmels trained at the Paris Opéra Ballet School before moving to the United States to study at the Rock School, Boston Ballet School and School of American Ballet. In addition to the long list of roles he's danced at the Joffrey, Calmels has worked as a model, and in 2014 won the Guinness World Record as the world's tallest ballet dancer.

We caught up with Calmels to hear about why he's leaving after nearly 19 years, and what his future after the Joffrey will hold.


Why did you decide to leave the Joffrey?

I've been with the company now for almost two decades. I was hired by Gerald Arpino, the co-founder of the Joffrey Ballet—I was the last dancer that he really truly hired. He was a fantastic mentor, and taught me so much about integrity and respect. There was such a mentality and work ethic in the company that I grew up with, and things have changed, the company has been through so much.

I've done incredible roles, one after the other. But as an artist and a performer I always want to improve and feel like I can get to the next level. Watching new dancers come into the company reminded me of what it was all about, and I think it's my time now.

Also the Joffrey is going to be leaving the Auditorium Theater for the Lyric, and my whole career has been at the Auditorium. It's been 18 years, which is the age I was when I came to the United States, so all of these were signs that told me that it was necessary to move on.

Will dancing still be a part of your life?

Absolutely. I think I'm at the top of my game. I'm not retiring, I'm not doing this because of health. And I love teaching and coaching. I've done that since 2003, and I love the kids I train. I've just been doing it when time allows.

You're moving to Los Angeles. Why California?

First of all, California is warmer, and I need that for a little while. Also California makes sense because a lot of things that I want to do could be movie related. I also feel like it's far away from ballet. There are a few companies out there, but not that many, and I like that challenge. I'm interested to see what California has to offer.

You've been pursuing a modeling career. Do you hope to focus more on that?

I've been signed with IMG for the past few years, but it's kind of slowed down because the Joffrey's schedule is so packed. It's really grueling, and we're constantly in production. What I've refused to do though now is really have a set plan. I want to slow down, and not rush into anything.

What part of life with the Joffrey will you miss the most?

What I really love is acting—when I was in France I used to take acting classes. I love being onstage, and performing a full-length story ballet, and doing the due diligence of learning the character. It takes a lot of preparation, which I really love.

What have been some of your favorite roles?

Karenin in Anna Karenina, and Othello. Also Apollo. And working with Sir Anthony Dowell, and Christopher Wheeldon. Chris makes ballet fun, and has been a huge influence in my career. And we have the same hero: Gene Kelly.

Can you tell me a bit about ILYS, the new business that you're working on?

It's still under wraps, but it's about the dance industry. In the American market, dance is so niche, and only a very cultured audience come to the ballet. My biggest passion now is to really change the way that people think about ballet, and make it part of the culture. So I'm not done; actually, I'm just starting.

Latest Posts


TaraMarie Perri in tree pose at Storm King Art Center. Photo by Sophie Kuller, Courtesy Perri

5 Self-Soothing Exercises You Can Do to Calm Your Anxiety

Physical stillness can be one of the hardest things to master in dance. But stillness in the bigger sense—like when your career and life are on hold—goes against every dancers' natural instincts.

"Dancers are less comfortable with stillness and change than most," says TaraMarie Perri, founder and director of Perri Institute for Mind and Body and Mind Body Dancer. "Through daily discipline, we are trained to move through space and are attracted to forward momentum. Simply put, dancers are far more comfortable when they have a sense of control over the movements and when life is 'in action.' "

To regain that sense of control, and soothe some of the anxiety most of us are feeling right now, it helps to do what we know best: Get back into our bodies. Certain movements and shapes can help ground us, calm our nervous system and bring us into the present.

GO DEEPER SHOW LESS