The Joffrey Ballet's Victoria Jaiani and Alberto Velazquez in Anna Karenina. Photo by Cheryl Mann, Courtesy The Joffrey Ballet

6 Shows This Month Worth Braving the Cold to See

Unexpected collaborations, celebrations of culture, literary classics that take a turn for the tragic—it might be freezing outside, but the new season is just heating up. Here are six shows we'd happily brave the winter weather for this month.


Criss-Crossing Culture Zones

Sidi Larbi Cherkaoui and Colin Dunne. Photo by Koen Broos, Courtesy Eastman

RENNES, FRANCE Throw two wondrous dancers from different cultures together, give them a couple of musicians, stir the pot and what do you get? With Belgian choreographer Sidi Larbi Cherkaoui and Irish step master Colin Dunne, a whole lot. Both are fascinating performers who have journeyed way outside their comfort zones with humor and generosity. Now they come together at Théâtre National de Bretagne to play with sight, sound and motion in Session. Feb. 1–8. east-man.be. —Wendy Perron

An Excellent Hair Day

NEW YORK CITY When Urban Bush Women premiered Jawole Willa Jo Zollar's HairStories in 2001, the performance was raucous, giddy, culturally revelatory and sheer communal fun. The recent revision and expansion, Hair & Other Stories, with choreography by associate artistic directors Chanon Judson and Samantha Speis, has been touring the country and now comes back to its home in Brooklyn. This dance theater work investigates questions about beauty, identity and race with UBW's signature sass and full-out dancing. Jan. 31–Feb. 2 and Feb. 7–9. bricartsmedia.org. —WP

Out of the Shadows

TORONTO What are we when no one is around to see? In who we are in the dark, seven dancers weather intimacy and betrayal in the wake of shifting identities and relationships. Violinist Sarah Neufeld and drummer Jeremy Gara of indie rock band Arcade Fire join Peggy Baker Dance Projects for its latest work, which premieres at Fall for Dance North Feb. 21–24 before traveling to other Canadian venues. peggybakerdance.com. —Courtney Escoyne

When in Doubt, Go to the Library

Dance's love affair with classic literature continues this month with three stories, each "unhappy in its own way."

Anna Karenina

CHICAGO It seemed inevitable that Yuri Possokhov (and his go-to composer, Ilya Demutsky) would adapt Leo Tolstoy's Anna Karenina for the stage. The seminal Russian novel is replete with courtly intrigue, aristocratic posturing and illicit romantic entanglements—and that's just Anna's storyline. The Joffrey Ballet will present the doomed heroine's passion-fueled fall from grace Feb. 13–24 before co-producer The Australian Ballet takes it into its repertoire next spring. joffrey.org. —CE

The Great Gatsby

PITTSBURGH Obsession, adultery, vehicular homicide and murder/suicide—just in time for Valentine's Day. Tragic romance ensues amid the shifting mores of the Roaring Twenties in Pittsburgh Ballet Theatre's latest interpretation of F. Scott Fitzgerald's novel The Great Gatsby. Choreographer Jorden Morris crafts his two-act version—with classical ballet vocabulary, period social dances and theatrical elements including (of course) Gatsby's car—to Carl Davis' original score. Feb. 8–17. pbt.org. —Karen Dacko

Hamlet

TEXAS AND NORTH CAROLINA Shakespeare's epic story of revenge and self-doubt gets a new spin with Beijing Dance Theater's otherworldly Hamlet. Artistic director Wang Yuanyuan works in broad and bold strokes, distilling the central characters to the Ghost, the New King, the Queen, the Prince and the Floral Spirit. The ensemble mirrors the intensity of the play's existential questions and psychological dilemmas. Dallas, Feb. 8; Houston, Feb. 22; Wilmington, NC, Feb. 27. attpac.org, spahouston.org and cfcc.edu/capefearstage. —Nancy Wozny

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Clockwise from top left: Photo by Loreto Jamlig, Courtesy Ladies of Hip-Hop; Wikimedia Commons; Photo by Alexander Iziliaev, Courtesy Pennsylvania Ballet; Natasha Razina, Courtesy State Academic Mariinsky Theatre; Photo by Will Mayer for Better Half Productions, Courtesy ABT

The 10 Biggest Dance Stories of 2019

What were the dance moments that defined 2019? The stories that kept us talking, week after week? According to our top-clicked articles of the year, they ranged from explorations of dance medicine and dance history, takedowns of Lara Spencer and companies who still charge dancers to audition, and, of course, our list of expert tips on how to succeed in dance today.

We compiled our 10 biggest hits of the year, and broke down why we think they struck a chord:

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Christopher Duggan, Courtesy Nichols

I Am a Black Dancer Who Was Dressed Up in Blackface to Perform in La Bayadère

On Instagram this week, Misty Copeland reposted a picture of two Russian ballerinas covered head to toe in black, exposing the Bolshoi's practice of using blackface in the classical ballet La Bayadère. The post has already received over 60,000 likes and 2,000 comments, starting a long overdue conversation.

Comments have been pouring in from every angle imaginable: from history lessons on black face, to people outside of the ballet world expressing disbelief that this happens in 2019, to castigations of Copeland for exposing these young girls to the line of fire for what is ultimately the Bolshoi's costuming choice, to the accusations that the girls—no matter their cultural competence—should have known better.

I am a black dancer, and in 2003, when I was 11 years old, I was dressed up in blackface to perform in the Mariinsky Ballet's production of La Bayadère.

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Here's the First Trailer for the "In the Heights" Movie

Lights up on Washington Heights—because the trailer for the movie adaptation of the hit Broadway musical In the Heights has arrived. It's our first look into Lin-Manuel Miranda's latest venture into film—because LMM isn't stopping at three Tony awards, a Grammy award, and an Emmy.

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