A still from "Fosse/Verdon." Michael Parmalee/FX

How Did "Fosse/Verdon" Make Those Dance Numbers Look Like the Real Deal?

When you're talking about a style as distinct as Fosse, a flick of the wrist or a roll of the hip is never just that. It takes intention, finesse, exactness and, of course, that characteristically smoldering sex appeal.

Now that the finale of "Fosse/Verdon" has aired, FX is taking viewers behind the scenes to reveal how the dancing came together—and it wasn't just a quick reconstruction.


In the video, director Thomas Kail says, "It was really essential to us that any work that referenced or was from Cabaret or Sweet Charity or from Pippin felt like the real thing."

To get it right, they went as straight to the source as you could get, relying on heavy-hitting-performers-turned-reconstructors Valarie Pettiford, Dana Moore and Lloyd Culbreath. This trio from the Verdon Fosse Legacy worked directly with Gwen Verdon and Bob Fosse as dancers, and they've spent more than six years reconnecting with the choreography's original aims for projects like "Fosse/Verdon." Having the pair's daughter, Nicole Fosse, on board as the show's co-executive producer and creative consultant further ensured authenticity.

For insight into numbers like "Big Spender," plus tantalizing studio footage of the legacy dancers today—they've definitely still got it—check out the video below.

And if you haven't devoured "Fosse/Verdon" yet, consider your weekend fully booked.

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Houston Ballet's "Dancing With Myself" Captures How We All Feel Right Now

What are dancers to do when they're still stuck at home in isolation? After all, there's only so much time you can spend taking barre, tackling your reading list (or Netflix queue) or ticking items off your to-do list. Even wistfully looking out the window has lost its appeal after a few months.

That's when you need a dance party—even it's for a party of one.

With its latest digital release, Houston Ballet tapped into our stir-crazy desperation and turned it into a celebration for 61 dancers shaking it in everything from PJs to formal gowns. Rehearsed entirely on Zoom and with choreography by artistic director Stanton Welch, "Dancing With Myself," set to the Billy Idol classic, is the #IFeelSeen moment dancers need right about now.