Four of Our Faves Just Got Promoted at ABT
American Ballet Theatre just announced its much-anticipated promotions, and artistic director Kevin McKenzie couldn't have picked more deserving dancers. Soloists Sarah Lane, Christine Shevchenko and Devon Teuscher have been promoted to principal, and Calvin Royal III has been promoted to soloist.
After 10 years as a soloist, Lane's promotion has been the longest time coming. Her loyal fans have been hoping for this day season after season, and after the phenomenal summer she's had—including her New York debut as Giselle and a surprise Odette/Odile debut—it makes sense that it's finally her time.
Shevchenko and Teuscher had their fair share of debuts this season, too—Shevchenko in Don Quixote and Le Corsaire, and Teuscher in Swan Lake. Both dancers have only been soloists since 2014, a rather short time to spend in the rank by ABT standards. We spotted both women as "On the Rise" back in their early days.
Royal caught our eye back in 2014 when we pegged him as a "25 to Watch," and his captivating lyricism and gravity have only grown since then, especially in the work of artist in residence Alexei Ratmansky.
All four dancers came up through the ABT ranks, a shift from previous years when international stars have dominated. With Russian primas Diana Vishneva and Veronika Part leaving the company after this season, the principal women will be more homegrown than ever.
Inside a bustling television studio in Los Angeles, Lindsay Arnold Cusick hears the words "Five minutes to showtime." While dancers and celebrities covered head to toe in sequins whirl around preparing for their live performances on "Dancing with the Stars," Cusick pauses to say a prayer to God and express her gratitude.
"I know that it's not a given, and I'm grateful for the opportunity to do what I love for a living," says Cusick, a member of The Church of Jesus Christ of Latter-day Saints. For her, prayer is a ritualized expression of her faith that she has maintained since she was a girl in Provo, Utah. Even with her seven-plus years of industry experience, she always takes a moment to steady herself and close her prayer in Christ's name before rushing onto the stage.
The hotly-debated Michael Jackson biomusical is back on. Not that it was ever officially off, but after its pre-Broadway Chicago run was canceled in February, its future seemed shaky.
Now, the show has secured a Broadway theater, with previews starting July 6 at the Neil Simon Theater.
In the October 1969 issue of Dance Magazine, we spoke with Jacques d'Amboise, then 20 years into his career with New York City Ballet. Though he became a principal dancer in 1953, the star admitted that it hadn't all been smooth sailing.
These days, social media is an essential tool for dance companies looking to promote their work. Karole Armitage's company, Armitage Gone! Dance, recently posted ads for their upcoming show at New York Live Arts, You Took A Part Of Me, a "mysterious and hypnotic display of erotic entanglement and unresolved attachment" inspired by traditional Japanese Noh drama.