Google Led Me Back to My Teenage Idol

She was an American dancing with the Bolshoi, and her name was Anastasia Stevens. Or was she American? Her voice, when I heard it more than 40 years later—last week—sounded vaguely British. And she was as beautiful as I remembered. Here's how it happened.
In the fall of 1962, the Bolshoi Ballet came to NYC, bringing Maya Plisetskaya, Vladimir Vasiliev, Ekaterina Maximova and other amazing dancers. Galina Ulanova had been the star of the 1959 tour, but now she was with the company as a coach. The company hired American teenagers to fill out the crowd scenes in Spartacus (this was the first Spartacus, by Leonid Yacobsen, not Grigorovich's, which was made a few years later).
When we rehearsed onstage at the old Metropolitan Opera House, one absolutely lovely corps dancer served as interpreter so that we could understand our instructions. She had frizzy red hair (frizzy! There was hope for me as a ballet dancer!), was totally trained in the Russian method, and had a mellifluous voice.
In a previous blog I talked about how smitten I was with Plisetskaya, Vasiliev, and Maximova. A reader sent me a note telling me about Eric Conrad, an American now dancing in Russia. It made me think about Stevens, the American dancing in Russia at that time. I'd always wondered what happened to her, so I googled her name. I found, to my amazement, that a film had been made about her by the maverick filmmaker Albert Maysles. Although Maysles Films does not have the rights to air the segment, I was able to view it at their office in Harlem. Seeing those 12 minutes of black-and-white footage was like entering a dream world. It was the NYC of my teenage years, with Studebakers and pillbox hats. Anastasia had a lovely face—and yes, that slightly frizzy hair. She moved beautifully, with classic port de bras at the barre and a spirited quality in a mazurka onstage. Ulanova helped her with her costume. As Anastasia tied the ribbons of her pointe shoes, she said she'd like to do Giselle one day.
Does anybody know if she ever did? Does anybody know where she is now? While signing an autograph, she said she was from Massachusettes. This film was shot for NBC but little else is known.

Update, Dec. 2017: I found this 1962 article from a Montreal newspaper on her.

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AMDA students learn how to present their best selves on camera. Photo by Trae Patton, Courtesy AMDA

AMDA's 4 Tips for Acing Your Next Audition

Ah, audition day. The flurry of new choreography, the long lines of dancers, the wait for callbacks. It's an environment dancers know well, but it can also come with great stress. Learning how to be best prepared for the big day is often the key to staying calm and performing to your fullest potential (and then some).

This concept is the throughline of the curriculum at American Musical and Dramatic Academy, where dance students spend all four years honing their audition skills.

"You're always auditioning," says Santana Trujillo, AMDA's dance outreach manager and a graduate of its BFA program. On campus in Los Angeles and New York City, students have access to dozens of audition opportunities every semester.

For advice on how dancers can put their best foot forward at professional auditions, Dance Magazine recently spoke with Trujillo, as well as AMDA faculty members Michelle Elkin and Genevieve Carson. Catch the whole conversation below, and read on for highlights.

July 2021