Graham Company Wraps Up in Paris

Today is the final day of the Martha Graham Company's week-long run at the Théâtre du Châtelet in Paris. What a thrill! It's been a bit tiring dealing with jet lag, language differences, long work days in the theater, interviews, classes and even company auditions. But in my opinion, it has been a tremendous success.
   Of the three programs we presented here, I danced in Errand Into the Maze, Maple Leaf Rag, Clytemnestra, Chronicle, and Lamentation Variations. My regular repertory was pared down since I am recovering from an injury; I even have off for the final show tonight. Typically, I don't enjoy nights off; like any other dancer I'd rather be onstage. Tonight, however, I took it as an opportunity to get a new point of view and had fun sitting with the audience in such a beautiful theater to experience the dance with them. The closing evening's performance was Clytemnestra, Graham's evening-length work based on the Greek legend of the House of Atreus.
   Traditionally, history is told from a male perspective, but in Graham's genius, she created her work from the feminine perspective: It's Queen Clytemnestra's story rather than King Agamemnon's. Graham's innovation was not lost on the French audience, and I could hear the patrons around me talking about this interesting twist. The audience was hushed and intense but also felt free to laugh at some of the dance's more raucous moments, such as King Agamemnon's spear dance when his arrogance leads him to take this fatal step onto the cloth reserved for the gods.
   The dancers were glorious tonight. The settings by Isamu Noguchi were minimalist enough to leave room for the audience's imagination. I loved it. It's always a relief to enjoy watching the repertory you perform in—it would be unfortunate if the opposite were true.
   All in all, performing in Paris has been a dream. The house was packed each night with an enthusiastic audience, which made all of the hard work completely worth it.
   The company has one week off now until we begin rehearsing for our upcoming season in New York. I will be staying here in Paris for a few more days to enjoy the city, the culture and yes, even more dance. I feel excitement and adventure await. J'arrive.

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AMDA's 4 Tips for Acing Your Next Audition

Ah, audition day. The flurry of new choreography, the long lines of dancers, the wait for callbacks. It's an environment dancers know well, but it can also come with great stress. Learning how to be best prepared for the big day is often the key to staying calm and performing to your fullest potential (and then some).

This concept is the throughline of the curriculum at American Musical and Dramatic Academy, where dance students spend all four years honing their audition skills.

"You're always auditioning," says Santana Trujillo, AMDA's dance outreach manager and a graduate of its BFA program. On campus in Los Angeles and New York City, students have access to dozens of audition opportunities every semester.

For advice on how dancers can put their best foot forward at professional auditions, Dance Magazine recently spoke with Trujillo, as well as AMDA faculty members Michelle Elkin and Genevieve Carson. Catch the whole conversation below, and read on for highlights.

July 2021