Teen Dancers Are Unapologetically Protesting Gun Violence
Agnes Anglade and Eryn Orsburn in a still from "Too Many Bodies." Photography by Daphne Wu.
Dance has a long history of social activism.Heck, our website even has a whole section devoted to it. But tackling social justice causes has typically been the territoryof mature dance artists and brainy college students.
Not anymore. This year, teenage dancers throughout the country have started getting involved to highlight an issue that directly affects them in the worst way possible: gun violence. And they're doing it through dance.
Showcasing What's Lost To Gun Violence
This project released by #NoRA, a collective action campaign led by actress Alyssa Milano. Choreographed by Nancy Dobbs Owen and performed by several young dancers from California, "Too Many Bodies" follows a student crawling out of a closet after a shooting, walking past fallen classmates and teachers who come back to life and begin to dance, showcasing all that's lost when these lives end too soon.
The five-minute video weaves in stats and messages like, "Since the Columbine massacre in 1999, there have been more than 232 school shootings," as well as photos of many of those we've lost to school shootings.
Exposing The Trauma of School Shootings
A somewhat similar video was released in June, directed and choreographed by Mia Michaels. "Only We Know" is even more disturbing, opening with a depiction of an actual shooting.
It's a project by Z ARTISTS GROUP, a youth dance company based in New York and New Jersey. Founded by Joelle Cosentino, the troupe produces socially-conscious works addressing issues faced by Generation Z. For the video, male dancers from The Boston Conservatory and other schools in New York, New Jersey and Connecticut rounded out the cast, dancing to Keane's "Somewhere Only We Know" sung by a children's choir.
Michaels' raw, emotional and often very explicit movement makes the video equally terrifying and powerful. Warning: Parts of this are very hard to watch.
Directed and choreographed by Chelsea Jennings, this video is less explicit than the other two. But, dancing to Birdy's cover of "People Help the People," these dancers are just as emotional and sincere—and their performances just as moving.
UPDATE 10/22: Getting Voters Inspired
Since posting this original story, a new high-profile video came out.
Star dancer Robbie Fairchild and filmmaker Ezra Hurwitz banded together to create a dance anthem for gun safety in time for the midterm elections. None other than Sia provided the soundtrack, titled "I'm Still Here," and famed illustrator Marcel Dzama contributed artwork to the set.
Seriously, if you're 18 or older, go vote for these kids who can't.
This trend is not limited toYouTube videos. High school students from Houston to Baltimore to the Bronx have also created live performances addressing gun violence through dance. Each, in their own way, is using the art form they love to say, Enough is enough.
Devon Teuscher performing the titular role in Jane Eyre. Photo by Gene Schiavone, Courtesy ABT
Story ballets that debut during American Ballet Theatre's spring season at the Metropolitan Opera House are always the subject of much curiosity—and, sometimes, much debate. Cathy Marston's Jane Eyre was no different. The ballet follows the eponymous heroine of Charlotte Brönte's novel as she grows from a willful orphan to a self-possessed governess, charting her romance with the haughty Mr. Rochester and the social forces that threaten to tear them apart.
While the ballet was warmly received in the UK when Northern Ballet premiered it in 2016, its reception from New York City–based critics has been far less welcoming. A group of editors from Dance Magazine and two of our sister publications, Dance Spirit and Pointe, sat down to discuss our own reactions.