How Does "Innocent Until Proven Guilty" Factor into Sexual Harassment of Dancers?
I'm feeling very torn about the #MeToo and #TimesUp movements. Everyone from a company director to teachers and dancers are being accused of sexual harassment and leaving their jobs in disgrace. What happened to the idea of being presumed innocent until proven guilty?
—Conflicted, New York, NY
I support the presumption of innocence. At the same time, it's important for the dance community to speak out about workplace harassment and inappropriate behavior when it happens.
Allegations of sexual misconduct require an independent investigation to reveal the truth. Anyone in a position of power has a responsibility to treat dancers with respect and follow the law. Those who have been harassed must also back up their claims of abuse as much as possible.
It takes guts to speak out, but doing so can help create a safer environment for all dancers. A set of workplace guidelines should hopefully lead to a positive change throughout the industry.
Send your questions to Dr. Linda Hamilton at email@example.com.
Just four years ago, the University of Southern California's Glorya Kaufman School of Dance welcomed its first class of BFA students. The program—which boasts world-class faculty and a revolutionary approach to training focused on collaboration and hybridity—immediately established itself as one of the country's most prestigious and most innovative.
Now, the first graduating class is entering the dance field. Here, six of the 33 graduates share what they're doing post-grad, what made their experience at USC Kaufman so meaningful and how it prepared them for their next steps:
Every dancer knows there's as much magic taking place backstage as there is in what the audience sees onstage. Behind the scenes, it takes a village, says American Ballet Theatre's wig and makeup supervisor, Rena Most. With wig and makeup preparations happening in a studio of their own as the dancers rehearse, Most and her team work to make sure not a single detail is lost.
Dance Magazine recently spoke to Most to find out what actually goes into the hair and makeup looks audiences see on the ABT stage.
On a sunny July weekend, hundreds of Seattle-area dance fans converged on tiny Vashon Island, a bucolic enclave in Puget Sound about 20 miles from the city. They made the ferry trek to attend the debut performance of the fledgling Seattle Dance Collective.
SDC is not a run-of-the-mill contemporary dance company; it's the brainchild of two of Pacific Northwest Ballet's most respected principal dancers: James Yoichi Moore and Noelani Pantastico. The duo wanted to create a nimble organization to feature dancers and choreographers they felt needed more exposure in the Pacific Northwest.