Just for Fun

Forget Being Normal. We Love #HowDancersDoThings

Lauren Post unwinds by sewing pointe shoes in the tub. Photo via Instagram/@laurencpost

Let's face it. Dancers just do things differently. We can never walk down a grocery aisle—we have to tap. We can never simply pick something up we've dropped—without going into a penché. But it's not a bad thing. We love all the ways that dance bleeds into our daily lives.

Turns out the pros aren't ever really off-duty either. Here's how we caught them dancing through their downtime.


How Dancers Hit the Gym

Alex Wong literally can't. stop. dancing. No matter what he's doing—whether he's getting ready to go out, playing tennis or walking down the street—there's bound to be a split involved. And we're totally here for this Jim Nowakowski cameo.

How Ballerinas Take a Bath

We get it. Dancers' crazy schedules mean they're always pressed for time. But American Ballet Theatre's Lauren Post has a genius idea: combining R&R with pointe shoe prep. (Just don't drop the shoes!)

How Dancers Take Family Photos

Forget those corny family photographs where everyone dons a white shirt and khaki shorts. Dancers do a way better job with beachside photo opps. Check out Pacific Northwest Ballet's Lindsi Dec and her husband Karel Cruz, who recently retired from the stage.

How Dancers Explore the Great Outdoors

Yes, dancers do exist outside of the studio. And ABT's James Whiteside shows us exactly what happens when they step outdoors.

How Dancers Soothe a Fussy Baby

Sure, bouncing a baby on your lap might work just fine. But being cuddled while mom tests her balance works too. Looks like new mom and Houston Ballet principal Karina González has this down pat.

How Dancers Spend Their Layovers

We couldn't forget this gem featuring Dance Theatre of Harlem. Dancing in airports has become quite the trend these last few years, and we agree it's an excellent way to pass the time.

Career Advice
Peter Smith, courtesy of University Musical Society

What happens during a performance is the product of the painstaking process of realizing an artistic vision. Whether held beforehand, afterward, offsite or online, audience discussions tend not to be so preordained, easily thrown off track without a skilled moderator at the helm.

"I'm someone who dreaded talkbacks and Q&As," admits Bill Bragin, former director of public programming at Lincoln Center. "While I was in New York, a lot of the time it was just audience members trying to show off how smart they were."

These events present a pile of difficult questions: How much do you reveal about a piece before it's shown? How can a conversation designed to hit key points feel casual and spontaneous? How do you cater to the needs of diverse attendees, from novice dancegoers to lifelong fans to scholars and critics? And how do you avoid smothering dance with language, flattening all its complexity?

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UA Dance Ensemble members Candice Barth and Gregory Taylor in Jessica Lang's "Among the Stars." Photo by Ed Flores, courtesy University of Arizona

If you think becoming a trainee or apprentice is the only path to gaining experience in a dance company environment, think again.

The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:

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Dancers Trending
Alice Sheppard/Kinetic Light in DESCENT, which our readers chose as last year's "Most Moving Performance." Photo by Jay Newman, courtesy Kinetic Light

Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.

We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.

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Dancer Voices
Silas Farley in his Songs from the Spirit at the Metropolitan Museum of Art. Rosalie O'Connor, Courtesy Farley

I dance to encourage others. The longer I dance, the more I see that much of my real work is to speak life-giving words to my fellow artists. This is a multidimensionally grueling profession. I count it a privilege to remind my colleagues of how they are bringing beauty into the world through their craft. I recently noticed significant artistic growth in a fellow dancer, and when I verbalized what I saw, he beamed. The impact of positive feedback is deeper than we realize.

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