"I Dance as an Investment in the Next Generation"
I dance to encourage others. The longer I dance, the more I see that much of my real work is to speak life-giving words to my fellow artists. This is a multidimensionally grueling profession. I count it a privilege to remind my colleagues of how they are bringing beauty into the world through their craft. I recently noticed significant artistic growth in a fellow dancer, and when I verbalized what I saw, he beamed. The impact of positive feedback is deeper than we realize.
I dance to teach. This art is passed down in an unbroken chain from one person to another, forming a historically transcendent community. I aim to learn all I can about my art, and to dance as thoroughly as possible, so that I will have a rich artistic inheritance to pass on to my students. In this way, I dance as an investment in the next generation of dancers.
Farley in his Songs from the Spirit at the Metropolitan Museum of Art. Rosalie O'Connor, Courtesy Farley
I dance for justice. I am part of a great lineage of dancers of color. In a recent rehearsal for the finale of George Balanchine's "Diamonds," I looked down the line and was overcome to see so many radiant faces in different shades of brown. Our very presence in New York City Ballet is both a testament to the perseverance of those who came before us and a dazzling vision of what classical ballet can become.
I dance as thanksgiving. I first encountered dance in the context of Sunday services at my family's church in North Carolina. Nearly all of my six siblings participated in our church's dance program. For me, dance was worship before it was performance. I have that same mentality all these years later. My dancing is a gift I seek to steward and cultivate as an offering back to the divine gift-giver.
- Choreographer to Watch: Silas Farley - Dance Magazine ›
- Silas Farley: The Impossible Perfect - Dance Magazine ›
If "Fosse/Verdon" whet your appetite for the impeccable Gwen Verdon, then Merely Marvelous: The Dancing Genius of Gwen Verdon is the three-course meal you've been craving. The new documentary—available now on Amazon for rental or purchase—dives into the life of the Tony-winning performer and silver-screen star lauded for her charismatic dancing.
Though she's perhaps most well-known today as Bob Fosse's wife and muse, that's not even half of her story. For starters, she'd already won four Tonys before they wed, making her far more famous in the public eye than he was at that point in his career. That's just one of many surprising details we learned during last night's U.S. premiere of Merely Marvelous. Believe us: You're gonna love her even more once you get to know her. Here are eight lesser-known tidbits to get you started.
Every dancer knows that how you fuel your body affects how you feel in the studio. Of course, while breakfast is no more magical than any other meal (despite the enduring myth that it's the most important one of the day), showing up to class hangry is a recipe for unproductive studio time.
So what do your favorite dancers eat in the morning to set themselves up for a busy rehearsal or performance day?
When it comes to dance in the U.S., companies in the South often find themselves overlooked—sometimes even by the presenters in their own backyard. That's where South Arts comes in. This year, the regional nonprofit launched Momentum, an initiative that will provide professional development, mentorship, touring grants and residencies to five Southern dance companies.
You ever just wish that Kenneth MacMillan's iconic production of Romeo and Juliet could have a beautiful love child with the 1968 film starring Olivia Hussey? (No, not Baz Luhrmann's version. We are purists here.)
Wish granted: Today, the trailer for a new film called Romeo and Juliet: Beyond Words was released, featuring MacMillan's choreography and with what looks like all the cinematic glamour we could ever dream of: