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In Training: Learning to Fly
University of Wyoming students performing at Vedauwoo rec area. Photo by J. Harper, Courtesy University of Wyoming.
Lately, aerial dance has become a major genre—take a look at productions of Cirque du Soleil or on Broadway, and you’ll see dancers high overhead, engulfed in swaths of fabric or bounding gracefully off the walls. And dedicated aerial dance companies are popping up all over the country. As techniques evolve, more universities are incorporating it into their dance programs. “Aerial demands breadth of training in a variety of apparatuses,” says Nada Diachenko, dance professor at University of Colorado, Boulder. “It takes a lot of body conditioning, and safety issues are huge.” Here are three programs with extensive aerial dance offerings. —Amy Brandt
UNIVERSITY OF NEW HAMPSHIRE
Location: Durham, NH
Dance audition required: Yes
Prior aerial experience required: No
Degrees offered: BA in theater with an option in dance; dance minor
Program description: Ballet, pointe, tap, jazz and aerial arts make up the core curriculum, as well as courses in pedagogy, composition, dance history and choreography. Aerial classes are in two-hour time blocks in which students rotate between four stations: Trapeze and silks are offered every class; lyra, single-point trapeze, net, triple trap, Spanish web and other apparatuses are interspersed throughout the semester. Safety, rigging techniques and injury prevention are also addressed each class. Advanced students assist beginning and intermediate classes; once a week, advanced aerial students meet for an extra lab.
Facility: One studio with 20-foot steel-beam ceilings that allow for rigging
Performance opportunities: Spring dance concert provides opportunities for aerial performance, Aerial Showcase at the end of each semester, outdoor performances
UNIVERSITY OF COLORADO, BOULDER
Location: Boulder, CO
Dance audition required: Yes, for both CU-Boulder’s graduate dance program and the Frequent Flyers program. Base strength requirements and health insurance also required for aerial training.
Prior aerial experience required: One year of focused training in an aerial apparatus; teacher-training candidates should be at an advanced level in an aerial apparatus, with prior teaching experience in either dance or aerial dance.
Degree offered: MFA in dance; secondary concentration in aerial dance with two track options (performance or teaching) through a partnership with Frequent Flyers, a professional aerial company and school.
Program description: Aerial track students complete 10 credit hours through FF towards total MFA requirements of 60 hours. All students take aerial fitness, aerial dance technique, ground-based movement, improvisation/choreography, open gym, stretching and workshops. Candidates work with fabric, trapeze, hoop, invented apparatus and stilts. Performance track includes student company and private lessons. Teaching-track candidates graduate with an MFA and FF teaching certification. CU graduate dance coursework includes technique, choreography, pedagogy, graduate seminar, final project, among others.
Facility: Aerial classes take place at Frequent Flyers’ studio, plus one on campus.
Performance opportunities: Student and/or faculty concerts, Aerial Dance Festival, informal showings
UNIVERSITY OF WYOMING
Location: Laramie, WY
Dance audition required: No audition required for the BA, which all freshmen declare. Students audition for the BFA program at the end of their freshman or sophomore year.
Prior aerial experience required: No
Degrees offered: BA in dance, BFA in dance performance, BFA in dance science, dance minor
Program description: Vertical dance courses (which involve rope and harness) are offered as electives to the overall dance curriculum, which includes ballet, modern and jazz. Vertical I is open to all dance majors and introduces safety measures, basic equipment and vertical dance vocabulary. Dancers work individually and in pairs, developing sequences and transitions for a final performance. Vertical II expands upon rigging techniques and focuses on individual choreography. Both courses begin each class with conditioning specific to vertical dance.
Facility: Classes are held in a black-box theater with an easily accessible grid, as well as in larger theaters. Rehearsals are held outdoors in late summer in preparation for performances at a local recreational area.
Performance opportunities: Two main-stage productions a year, collaborative faculty concerts, biannual performance at Vedauwoo outdoor recreation area, American College Dance Festival Association Northwest Conference
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While Solange was busy helping big sis Beyoncé give Coachella its best performances of all time, an equally compelling project was quietly circulating on Instagram:
When I wrote about my struggle with depression, and eventual departure from dance because of it, I expected criticism. I was prepared to be challenged. But much to my relief, and horror, dancers from all over the world responded with support and stories of solidarity. The most critical response I saw was this one:
"Dance isn't for everyone."
This may as well be a mantra in the dance world. We have become entrenched in the Darwinian notion that the emotionally weak will be weeded out. There is no room for them anyway.
In his final bow at New York City Ballet, during what should have been a heroic conclusion to a celebrated ballet career, Robert Fairchild slipped and fell. His reaction? To lie down flat on his back like he meant to do it. Then start cracking up at himself.
"He's such a ham," says his sister Megan Fairchild, with a laugh. "He's really good at selling whatever his body is doing that day. He'll turn a moment that I would totally go home and cry about into something where the audience is like, 'That's the most amazing thing ever!' "
New York City Ballet continues its first year without Peter Martins at the helm as our spring season opens tonight.
When he retired at the start of the new year, we plunged headfirst into unknown, murky waters. Who would the new director be? When would we know? Would we dancers get some say in the decision? Who would oversee the Balanchine ballets? Who would be in charge of casting? Would a new director bring along huge upheaval? Could some of us be out of a job?
In the world of ballet, Arcadian Broad is a one-stop shop: He'll come up with a story, compose its music, choreograph the movement and dance it himself. But then Broad has always been a master of versatility. As a teenager he juggled school, dance and—after the departure of his father—financial responsibility. It was Broad's income from dancing that kept his family afloat. Fast-forward six years and things are far more stable. Broad now lives on his own in an apartment, but you can usually find him in the studio.
Bales of hay, black umbrellas, bicycles—this Midsummer Night's Dream would be unrecognizable to the Bard. Alexander Ekman's full-length, inspired by Scandinavian solstice traditions and set to music by Mikael Karlsson, is a madcap celebration of the longest day of the year, when the veil between our world and that of the supernatural is said to be at its thinnest. The Joffrey Ballet's performances mark the seductively surreal work's North American premiere. April 25–May 6. joffrey.org.
"There's an ancient energy in Fana's movement, a deep and trusted knowing," says Jeff, director of the Chicago-based Deeply Rooted Dance Theater. "Because I witnessed the raw humanity of his dancer's souls, I wanted my dancers to have that experience."
Growing up in a family-owned dance studio in Missouri had its perks for tap dancer Anthony Russo. But it also earned him constant taunting, especially in high school.
"There was a junior in my sophomore year health class who was absolutely relentless," he says. "I'd get tripped on my way to the front of the classroom and he'd say, 'Watch out, twinkle toes.' If I raised my hand and answered a question incorrectly, I'd hear a patronizing 'Nice one, Bojangles.' "
Choreographer Sergio Trujillo asked the women auditioning for ensemble roles in his newest musical to arrive in guys' clothing—"men's suits, or blazers and ties," he says. He wasn't being kinky or whimsical. The entire ensemble of Summer: The Donna Summer Musical is female, playing men and women interchangeably as they unfold the history of the chart-busting, Grammy-winning, indisputable Queen of Disco.