Watch Isabella Boylston and James Whiteside in an Eerie NOWNESS Video
NOWNESS has a solid track record when it comes to putting dancers on camera, from exquisite fashion spots to intimate portraits featuring a who's who of the dance world. Their most recent collaborators: American Ballet Theatre principals (and real life best friends) Isabella Boylston and James Whiteside. But "Just Dance: Early Sunday Morning" is not at all what we expected from this team-up. Yes, there is gorgeous dancing wrapped in stunning editing and cinematography, and yes, the choreography is by the endlessly inventive Justin Peck, who has been making moves for the lifestyle brand since before he was New York City Ballet's resident choreographer. But director Yoonha Park takes Peck's choreography and the haunting Sufjan Stevens score and launches us into a strange, disconcerting world.
The video unfolds in a massive, empty cineplex, Boylston listlessly vacuuming until she stumbles across Whiteside, dozing in one of the theaters. An eerie tension pervades shots that might be at home setting up jump scares in a horror flick. Instead, the dancers begin to fling themselves through Peck's urgent yet lusciously liquid pas de deux, Boylston full of her characteristic abandon, Whiteside sure and steady in his partnering. The final movement sequence, shot from above, veers into surreality. When Boylston steps away and blinks a couple of times, it's as though she's waking from a half-remembered dream. Check out the full video below.
Yvonne Rainer's Parts of Some Sextets (AKA "the mattress dance") hasn't been revived since it premiered in 1965. Nor has Rainer had any wish to do it again, to ask performers to heave 10 mattresses around while carrying out 31 tasks that changed every 30 seconds. It was an unwieldy, difficult dance. (Even the title is unwieldy.) But Emily Coates, who has danced in Rainer's work for 20 years, became curious about this piece and was determined to see it again—and to dance in it. She will get her wish November 15–17, when the mattress dance will be performed as part of the Performa 19 Biennial.
Back in 2011 when Joe Lanteri first approached Katie Langan, chair of Marymount Manhattan College's dance department, about getting involved with New York City Dance Alliance, she was skeptical about the convention/competition world.
"But I was pleasantly surprised by the enormity of talent that was there," she says. "His goal was to start scholarship opportunities, and I said okay, I'm in."
Today, it's fair to say that Lanteri has far surpassed his goal of creating scholarship opportunities. But NYCDA has done so much more, bridging the gap between the convention world and the professional world by forging a wealth of partnerships with dance institutions from Marymount to The Ailey School to Complexions Contemporary Ballet and many more. There's a reason these companies and schools—some of whom otherwise may not see themselves as aligned with the convention/competition world—keep deepening their relationships with NYCDA.
Now, college scholarships are just one of many ways NYCDA has gone beyond the typical weekend-long convention experience and created life-changing opportunities for students. We rounded up some of the most notable ones:
"The show must go on" may be a platitude we use to get through everything from costume malfunctions to stormy moods. But when it came to overcoming a literal hurricane, Houston Ballet was buoyed by this mantra to go from devastated to dancing in a matter of weeks—with the help of Harlequin Floors, Houston Ballet's longstanding partner who sprang into action to build new floors in record time.