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What Jacques d'Amboise Believes Dance Can Give The World
When Jacques d'Amboise talks about dance, his eyes light up, his chest opens and his famously handsome smile takes over his face. It's immediately clear that the former New York City Ballet star, now a spirited age 83, has a love of dance that doesn't tire.
Today, he's creating new generations of dance lovers through the National Dance Institute. He founded the program in 1976 out of a desire to teach dance to public school students. Now led by Ellen Weinstein, NDI reaches 6,500 students every week, not only in New York City, but across the country and even in international cities like Shanghai. And d'Amboise's dream of inspiring others through the art form he loves so much continues as strong as ever.
Why He Wanted To Teach Kids to Dance
"I realized that in Washington Heights, kids were joining gangs at 9 years old. Meanwhile, here I am at the ballet and dancing with these beautiful ballerinas. I'd come home from performing in Paris and see this culture of the street. There's no place in ballet for that life. Ballet is the art of the aerial. It's above the ordinary; it's extraordinary. I wanted to share that."
How He Inspired A Revolt
"At first, I only taught boys. I would go to the principal of the school and say, Would you like free dance classes for the boys? Well, the girls in the classes revolted. They made a petition. So then it became the whole fifth grade class."
D'Amboise with Mikhail Baryshnikov at NDI's Event of the Year in 1979. Photo courtesy NDI
What It Was Like to Stop Performing
"I was depressed. It's very hard because you have to leave the follow spot, go up to the booth, aim the follow spot at someone else, and help them be better than you. Rather than looking at pictures of how you used to dance, and saying, 'I used to do that,' and, 'I used to do this.' But having started NDI allowed me to segue into another world."
What Dance Can Teach Us As Humans
"In dance, you can set a goal that's a little higher than you think you're capable of at the moment. And you work until you reach it. And the skills that you learned to climb those rungs make you capable of climbing higher. The steps taken toward excellence never end."
D'Amboise teaching in China. Photo courtesy NDI
The Best Surprise of Starting National Dance Institute
"To watch one of our teachers teach...the love, the discipline, the humor. I never expected that, as a byproduct of this mission, we'd be training some of the best teachers in the world."
Bales of hay, black umbrellas, bicycles—this Midsummer Night's Dream would be unrecognizable to the Bard. Alexander Ekman's full-length, inspired by Scandinavian solstice traditions and set to music by Mikael Karlsson, is a madcap celebration of the longest day of the year, when the veil between our world and that of the supernatural is said to be at its thinnest. The Joffrey Ballet's performances mark the seductively surreal work's North American premiere. April 25–May 6. joffrey.org.
"There's an ancient energy in Fana's movement, a deep and trusted knowing," says Jeff, director of the Chicago-based Deeply Rooted Dance Theater. "Because I witnessed the raw humanity of his dancer's souls, I wanted my dancers to have that experience."
When I wrote about my struggle with depression, and eventual departure from dance because of it, I expected criticism. I was prepared to be challenged. But much to my relief, and horror, dancers from all over the world responded with support and stories of solidarity. The most critical response I saw was this one:
"Dance isn't for everyone."
This may as well be a mantra in the dance world. We have become entrenched in the Darwinian notion that the emotionally weak will be weeded out. There is no room for them anyway.
In his final bow at New York City Ballet, during what should have been a heroic conclusion to a celebrated ballet career, Robert Fairchild slipped and fell. His reaction? To lie down flat on his back like he meant to do it. Then start cracking up at himself.
"He's such a ham," says his sister Megan Fairchild, with a laugh. "He's really good at selling whatever his body is doing that day. He'll turn a moment that I would totally go home and cry about into something where the audience is like, 'That's the most amazing thing ever!' "
Growing up in a family-owned dance studio in Missouri had its perks for tap dancer Anthony Russo. But it also earned him constant taunting, especially in high school.
"There was a junior in my sophomore year health class who was absolutely relentless," he says. "I'd get tripped on my way to the front of the classroom and he'd say, 'Watch out, twinkle toes.' If I raised my hand and answered a question incorrectly, I'd hear a patronizing 'Nice one, Bojangles.' "
Choreographer Sergio Trujillo asked the women auditioning for ensemble roles in his newest musical to arrive in guys' clothing—"men's suits, or blazers and ties," he says. He wasn't being kinky or whimsical. The entire ensemble of Summer: The Donna Summer Musical is female, playing men and women interchangeably as they unfold the history of the chart-busting, Grammy-winning, indisputable Queen of Disco.
Have a scroll through Agnes Muljadi's Instagram feed (@artsyagnes), and you'll notice that in between her ballet shots is a curated mix of lifestyle pics. So what exactly sets her apart from the other influencers you follow? Muljadi has made a conscious effort to only feature natural beauty products, sustainable fashion and vegan foods. With over 500k followers, her social strategy (and commitment to making ethical choices) is clearly a hit. Ahead, learn why Muljadi switched to a vegan lifestyle, and the surprising way it's helped her dance career.
He may not be a household name, but you probably know Brandon Stirling Baker's work. The 30-year-old has designed the lighting for most of Justin Peck's ballets—including Heatscape for Miami City Ballet, and the edgy The Times Are Racing for New York City Ballet—but also Jamar Roberts' new Members Don't Get Weary at Alvin Ailey American Dance Theater and a trio of Martha Graham duets for L.A. Dance Project.
He's been fascinated by lighting ever since he attended a public performing arts middle school in Sherman Oaks, California, where he had his first experiences lighting shows. He also has a background in music (he plays guitar and bass) and in drawing. Both, he says, are central to the way he approaches lighting dance.
Update: Due to an overwhelming response, the in-person audition has been moved to a larger location to accommodate more dancers. See details below.
For the first time in more than 10 years, Janet Jackson is holding an open audition for dancers.
Even better? You could land a spot in her #JTribe simply by posting a video on social media.
What does it take to become an international superstar? Carlos Acosta might have a few ideas.
At the Oxford Literary Festival earlier this month, the BBC sat down with Acosta to ask for his life lessons. His answers—which he says he will pass on to his kids one day—give incredible insight into how he's become such a beloved worldwide success.