Why This Ailey Dancer Dreams of Dancing with Ellen DeGeneres
Jamar Roberts has long been one of Alvin Ailey American Dance Theater's most thrilling performers, bringing his sinuous power to whatever the company's wide-ranging repertory throws at him. Last season, Roberts' own movement became a part of that repertory: His blues-inspired Members Don't Get Weary, set to the music of John Coltrane, received rave reviews, and returns this week as part of the company's 60th Anniversary season at New York City Center.
We caught up with Roberts for our "Spotlight" series:
What do you think is the most common misconception about dancers?
That all dancers are flexible/acrobatic and love to be in the spotlight. I'm more reserved and have had to cultivate an affinity for being in front of the camera.
What other career would you like to try?
Graphic novelist or animator. I also enjoy drawing and fashion, and designed the costumes for Members Don't Get Weary.
Do you have a pre-performance ritual?
Listening to music, especially jazz, helps center me, as do yoga exercises.
What was the last dance performance you saw?
A Works & Process performance at the Guggenheim Museum featuring English National Ballet in Akram Khan's Giselle.
Where can you be found two hours after a performance ends?
What's the most-played song on your phone?
"See You Again" (feat. Kali Uchis) by Tyler The Creator. Music is a must for the daily subway ride to and from Brooklyn.
Who is the person you most want to dance with—living or dead?
Ellen DeGeneres. It was so much fun when she came to The Ailey Studios in 2007 for a segment with us. Another person is singer Emily King. I went to her see her in concert recently and it was amazing!
What's your favorite book?
Anything by Octavia Butler. Specifically, Kindred. Right now, I'm reading an autobiography of Charles Mingus, Beneath the Underdog.
What's the first item on your bucket list?
I don't have a bucket list.
Where did you last vacation?
I've never taken a vacation, but I have seen the world touring with Ailey. When I have time off, I return to Miami to teach and choreograph at the school where I studied growing up.
What's your go-to cross-training routine?
Yoga is a daily necessity for mind, body and spirit.
What's the worst advice you've ever received?
My mentors always gave me great advice. But the worst advice I ever received was that I should be a model, which is something I would not enjoy.
If you could relive one performance, what would it be?
Performing the solo In/Side by Robert Battle in my hometown of Miami, Florida. It was an overwhelming experience. I went on an unexpected ride, the audience reaction was astounding and I was uncharacteristically in tears during bows.
It's hour three of an intense rehearsal, you're feeling mentally foggy and exhausted, and your stomach hurts. Did you know the culprit could be something as simple as dehydration?
Proper hydration helps maintain physical and mental function while you're dancing, and keeps your energy levels high. But with so many products on the market promising to help you rehydrate more effectively, how do you know when it's time to reach for more than water?
Inside a bustling television studio in Los Angeles, Lindsay Arnold Cusick hears the words "Five minutes to showtime." While dancers and celebrities covered head to toe in sequins whirl around preparing for their live performances on "Dancing with the Stars," Cusick pauses to say a prayer to God and express her gratitude.
"I know that it's not a given, and I'm grateful for the opportunity to do what I love for a living," says Cusick, a member of The Church of Jesus Christ of Latter-day Saints. For her, prayer is a ritualized expression of her faith that she has maintained since she was a girl in Provo, Utah. Even with her seven-plus years of industry experience, she always takes a moment to steady herself and close her prayer in Christ's name before rushing onto the stage.
The hotly-debated Michael Jackson biomusical is back on. Not that it was ever officially off, but after its pre-Broadway Chicago run was canceled in February, its future seemed shaky.
Now, the show has secured a Broadway theater, with previews starting July 6 at the Neil Simon Theater.
In the October 1969 issue of Dance Magazine, we spoke with Jacques d'Amboise, then 20 years into his career with New York City Ballet. Though he became a principal dancer in 1953, the star admitted that it hadn't all been smooth sailing.