Never Not Fabulous: Peek Inside James Whiteside's Offstage Life
James Whiteside sometimes seems larger than life. He knows how to effortlessly command any room he's in, whether he's playing a noble prince onstage or appearing in fashion campaigns for designers like Marc Jacobs and Thom Browne. During a rare day off, Whiteside gave us a glimpse into a quieter side of his personality—which is perhaps most endearing of all.
Whiteside in his Manhattan apartment
The piece of clothing he collects the most: "T-shirts. When they start to wear out as my real clothes, I transition them into dancewear, so it's fun to cycle through. I found this vintage Reba McEntire shirt from a 1988 tour at an amazing shop in the East Village."
Fashion philosophy: "I want to be comfortable. I like traditional, American clothing—T-shirts, jeans, leather jackets, cowboy boots, Chucks. I like to keep it simple with a James Dean sort of vibe."
Perks of stardom: "My shoes, I actually snagged off the set for the Valentine's Day Macy's shoot that I did with my boyfriend, Dan."
Frugal finds: "The couch is something a friend was getting rid of, the trunk was $1 at a flea market and everything on the walls, people have given me."
How He Fuels the Fierceness
Daily indulgence: "I eat dessert like every night. I'll get a pint of ice cream, or there's a 16 Handles around the corner from my apartment. My order is usually the peanut butter ice cream, and then I put in peanut butter cups, plus Reese's Pieces and Cap'n Crunch cereal."
Pre-show ritual: "Isabella Boylston and I always have lunch at Fiorello's. We get pasta with a side of pizza and really carbo-load."
Post-show ritual: "I go back to Fiorello's and have a Manhattan and maybe some chicken parmigiana."
Coffee order: "Just a small, black coffee."
What His Downtime Looks Like
What he's reading: "Jane Eyre, because ABT is staging it this spring. I read every day. I recently loved The Dispossessed and Oathbringer."
Ideal day off: "My favorite thing to do is wake up slow, have coffee, go to my bagel shop, read, play video games. Maybe I'll meet up with some friends for lunch or see a movie. I usually work on my days off though, and I'll schedule a photo shoot or meetings. I can't do this forever, and I really want to solidify my place in the dance legacy. I want to get better all the time, and I like to make things and choreograph. I think in the future perhaps, you'll see more of that side of me."
On August 19, 1929, shockwaves were felt throughout the dance world as news spread that impresario Sergei Diaghilev had died. The founder of the Ballets Russes rewrote the course of ballet history as the company toured Europe and the U.S., championing collaborations with modernist composers, artists and designers such as Igor Stravinsky, Pablo Picasso and Coco Chanel. The company launched the careers of its five principal choreographers: Michel Fokine, Vaslav Nijinsky, Léonide Massine, Bronislava Nijinska and George Balanchine.
Just four years ago, the University of Southern California's Glorya Kaufman School of Dance welcomed its first class of BFA students. The program—which boasts world-class faculty and a revolutionary approach to training focused on collaboration and hybridity—immediately established itself as one of the country's most prestigious and most innovative.
Now, the first graduating class is entering the dance field. Here, six of the 33 graduates share what they're doing post-grad, what made their experience at USC Kaufman so meaningful and how it prepared them for their next steps:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
Chiara Valle is just one of many dancers heading back to the studio this fall as companies ramp up for the season. But her journey back has been far more difficult than most.
Valle has been a trainee at The Washington Ballet since 2016, starting at the same time as artistic director Julie Kent. But only a few months into her first season there, she started experiencing excruciating pain high up in her femur. "It felt like someone was stabbing me 24/7," she says. Sometimes at night, the pain got so bad that her roommates would bring her dinner to the bathtub.