Jane Comfort's S/He. Photo by Arthur Elgort, Courtesy Comfort

Jane Comfort and Company Takes Audiences From Maniacal to Melancholy

What do choreographers Mark Dendy, David Neumann and Edisa Weeks have in common? They all cut their dancing-and-talking teeth with Jane Comfort and Company. This month, they, along with 20 other former Comfort dancers, return for the company's 40th Anniversary Retrospective. In excerpts from 12 works that draw on Comfort's political and gender satire and her signature rhythmic complexity, the tone ranges from haunting to ribald. High points in this Lumberyard production will surely include Four Screaming Women (1982), Underground River (1998), Faith Healing (1993) and S/He (1995). April 5–8. lamama.org.

Latest Posts


Courtesy Ava Noble

Go Behind the Scenes of USC Kaufman’s Virtual Dance Festival

Now more than ever, the students of USC Glorya Kaufman School of Dance are embodying their program's vision: "The New Movement."

As the coronavirus pandemic stretches on, the dance world continues to be faced with unprecedented challenges, but USC Kaufman's faculty and BFA students haven't shied away from them. While many schools have had to cancel events or scale them back to live-from-my-living-room streams, USC Kaufman has embraced the situation and taken on impressive endeavors, like expanding its online recruitment efforts.

November 1 to 13, USC Kaufman will present A/Part To/Gather, a virtual festival featuring world premieres from esteemed faculty and guest choreographers, student dance films and much more. All semester long, they've rehearsed via Zoom from their respective student apartments or hometowns. And they haven't solely been dancing. "You have a rehearsal process, and then a filming process, and a production process of putting it together," says assistant professor of practice Jennifer McQuiston Lott of the prerecorded and professionally edited festival.

GO DEEPER SHOW LESS