5 January Performances to Start 2019 Off Right
If one of your New Year's resolutions was "See more dance" (and really, shouldn't that be everyone's?), never fear. We picked five shows certain to get 2019 off to a brilliant start.
Twyla's Greens and Jerry's Blues
Miami City Ballet in Brahms/Handel. Photo by Alexander Iziliaev, Courtesy Miami City Ballet
FLORIDA It's rare that two choreographers want to learn from each other so much that they decide to collaborate. But so it was with Jerome Robbins and Twyla Tharp in 1984. Tharp and Robbins chose Brahms' "Variations and Fugue on a Theme by Handel" and divided up the variations according to colors—his dancers wore blue and hers wore green. Luckily, they didn't hold to the color scheme for long and intermeshed the roles after the opening statement. When Brahms/Handel premiered, Anna Kisselgoff wrote in The New York Times, "The brilliant sum is greater than the parts." This month, Miami City Ballet introduces its hometown audiences to the work, on the same program as Dances at a Gathering, the Robbins masterpiece with a warm community glow. Miami, Jan. 11–13; West Palm Beach, Jan. 18–20; Fort Lauderdale, Jan. 26–27. miamicityballet.org. —Wendy Perron
When Three Makes Two More Romantic
Herman Cornejo and Alessandra Ferri. Photo by Roberto Ricci, Courtesy Richard Kornberg & Associates
LONDON A former American Ballet Theatre star with a luscious, limpid quality and a current ABT star with softly bounding energy, Alessandra Ferri and Herman Cornejo make an exquisite romantic pair onstage. Together they will open the newly renovated Linbury Theatre in the Royal Opera House. For their TRIOConcertDance, they've teamed up with pianist Bruce Levingston to perform duets by Demis Volpi, Russell Maliphant, Wayne McGregor, Fang-Yi Sheu and Angelin Preljocaj, and a solo by and for Cornejo. Placing these dancers in this intimate setting is part of the Royal Opera House's plan to attract wider audiences of all ages. Jan. 17–27. roh.org.uk. —WP
Three Cheers for Carmen
Carmen de Lavallade. Photo by Piper Ferguson, Courtesy Jazz at Lincoln Center
NEW YORK CITY Will we ever stop celebrating Carmen de Lavallade? We certainly hope not! Jazz at Lincoln Center takes its turn to hail the beloved leading lady with a new iteration of its Life of a Legend series. Joined by dancer Maggie Small and a handful of jazz musicians, de Lavallade will speak and dance through her storied career, with a special emphasis on where it intersected with jazz music. Her famous performance in John Butler's Portrait of Billie—which, legend has it, brought Louis Armstrong and Duke Ellington to tears—is sure to get a nod. Jan. 24–25. jazz.org. —Courtney Escoyne
Curiosity and Awe
Johanna Bergfelt. Photo by Kristy Kennedy, Courtesy Citadel + Cie
TORONTO Choreographer William Yong has an affinity for acronyms. His company is called Zata Omm Dance Projects (Zen and the Actualization of Modern Movement), and the title of his latest work, SKOW, derives from the phrase "Some Kinds Of Wonder." Yong's fascination with performer Johanna Bergfelt and their shared interest in the way seemingly insignificant things can evoke a sense of wonder inspired the work. It's a deceptively simple-sounding concept, but Yong frequently uses spellbinding visual and technological elements to create alternate worlds onstage—if anyone knows how to leave an audience wondering, it's him. Jan. 30–Feb. 2. citadelcie.com. —CE
Bearing the Brunt
SAN FRANCISCO The hulking, monolithic structures that exemplify Brutalism served as inspiration for Kristin Damrow's latest work. The architectural style, prevalent in the 1950s and '60s, is largely associated with mid-century socialist movements and an egalitarian ethos. In IMPACT, 15 dancers chart a dystopian future ravaged by tribalism to a score by Aaron M. Gold that includes found sound recorded at iconic Brutalist buildings in the Bay Area. Jan. 31–Feb. 2. kristindamrow.com. —CE
- Kristin Damrow & Company Impact ›
- Kristin Damrow & Company ›
- Zata Omm's SKOW - Trailer 1 with Johanna Bergfelt on Vimeo ›
- Johanna Bergfelt ›
- Carmen de Lavallade, a Dance Legend, to Skip a White House ... ›
- Life of a Legend: Carmen de Lavallade ›
- Review: Alessandra Ferri, Herman Cornejo and Piano Makes Three ... ›
- Alessandra Ferri, Herman Cornejo, Bruce Levingston - YouTube ›
- Miami City Ballet at the Harris review: Two-thirds nostalgia, one-third ... ›
- Robbins meets Tharp at Miami City Ballet | Miami Herald ›
The 2019–20 season is here, and with it more performances than any one person could reasonably catch. But fear not: We polled our writers and editors and selected the 31 most promising tickets, adding up to one endlessly intriguing year of dance.
You nominated your favorite dance moments so far in 2019, and we narrowed them down to this list. Now it's time to cast your vote to help decide who will be deemed our Readers' Choice picks for the year!
Voting is open until September 17th. Only one vote per person will be counted.
Just four years ago, the University of Southern California's Glorya Kaufman School of Dance welcomed its first class of BFA students. The program—which boasts world-class faculty and a revolutionary approach to training focused on collaboration and hybridity—immediately established itself as one of the country's most prestigious and most innovative.
Now, the first graduating class is entering the dance field. Here, six of the 33 graduates share what they're doing post-grad, what made their experience at USC Kaufman so meaningful and how it prepared them for their next steps:
We've been dying to hear more about "On Pointe," a docuseries following students at the School of American Ballet, since we first got wind of the project this spring. Now—finally!—we know where this can't-miss show is going to live: It was just announced that Disney+, the new streaming service set to launch November 12, has ordered the series.