Jerome Robbins would have been 100 years old on October 11, 2018. Photo by Frederic Ohringer, Courtesy DM Archives

Celebrate Jerome Robbins' Would-Be 100th Birthday With 10 Rarely-Seen Photos

2018 has seen an endless parade of celebrations in anticipation of Jerome Robbins' centennial—and now the day has finally arrived. In honor of what would have been his 100th birthday, we dove into our photo archives and selected a few favorite shots of the choreographer whose career defined (and redefined) American dance.


A young Robbins, 1944

Photo courtesy DM Archives

Robbins with Nancy Walker, the lead in his 1948 Broadway musical Look, Ma, I'm Dancin'!

Photo by Eileen Darby, Courtesy DM Archives

Robbins in Balanchine's Tyl Ulenspiegel, 1951

Photo by Walter E. Owen, Courtesy DM Archives

A rehearsal for The Concert (or, The Perils of Everybody), 1960

Photo by CBS Television Network, Courtesy DM Archives

Robbins (center) rehearsing West Side Story

Photo by Friedman-Abeles, Courtesy DM Archives

Robbins giving notes to Maria Karnilova and Zero Mostel, of the 1964 Broadway cast of Fiddler on the Roof

Photo by Eileen Darby-Graphic House, Courtesy DM Archives

Robbins (left) with Balanchine (bottom left) and the choreographers for NYCB's 1972 Stravinsky Festival

Photo courtesy DM Archives

Jean-Pierre Bonnefoux, Paolo Bortoluzzi, Malika Sabirova, Violette Verdy, Muzafar Bourkhanov, Robbins, Antoinette Sibley, Antony Dowell, Patricia McBride, Helgi Tomasson and Carla Fracci at the Spoleto Festival, 1973

Photo by Lionello Fabbri, Courtesy DM Archives

Robbins and Antoinette Sibley rehearse his Afternoon of a Faun

Photo by Michael Childers, Courtesy DM Archives

Carmen de Lavallade and Robbins chat with Yves St. Laurent

Photo by Whitestone Photo, Courtesy DM Archives

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Lisabi Fridell, courtesy Music Box Films

Rejected by Its Home Country, This Georgian Dance Film Has Become a Surprise Hit

Director Levan Akin's new movie may have been rejected by the country where it was filmed, but elsewhere in the world, moviegoers are embracing the film a like traditional Georgian dancer, arms raised and elbows bent in an enthusiastic display of bravado.

And Then We Danced opens in nine more North American markets this weekend, on the heels of successful openings in New York, Chicago and other cities, and a slew of festival screenings around the globe.

Just not in Georgia, the native country of Akin's grandparents, where he filmed his low-budget surprise-hit dance film.

GO DEEPER