Photography by Michael Higgins

Ate9 Dancer Jobel Medina on Choreography, Master's Degrees and Rollerblading

Growing up in the Philippines, Jobel Medina was introduced to dance first through a TV game show, and later, his sister. "She had a girl dance team, and they'd rehearse in our front yard," Medina recalls. "I usually would be in the back, trying to learn the choreography."

Now based in Los Angeles, Medina is a member of Ate9 Dance Company. He's also performed as a freelancer and appeared in music videos while working towards his master's degree in fine arts at California Institute of the Arts. In his spare time, he makes his own choreography. "Usually, only some of the ideas will work," he says, "but new ones naturally develop—that, I think, is what's exciting: the surprises."

Two images of Jobel Medina: The right is a closeup of him framing his face with his hands; the left shows him jumping his head thrown back and legs tucked beneath him

Michael Higgins

On pursuing a dance career: "I don't think I was interested in dance professionally until junior year in college. I didn't really think about money and dance together, but I've known that I wanted to perform since I was a kid."

Most memorable show: "A performance I did for LA Pride in West Hollywood"

Pre-performance ritual: "I like to look around the stage just before we start, just to remind myself that everything around me is familiar and I don't have to be afraid."

Dream artist to work with: "Dimitris Papaioannou in Europe"

On his choreographic process: "A lot of the work happens in my head, and it's usually very messy at first. Then, I obsess over the ideas while I'm stuck in traffic, until I'm convinced that they're worth investing time, money and effort into."

Top song on his playlist: " 'I Will Survive,' by Gloria Gaynor"

When he's not dancing: "I love Rollerblading, spending time with friends and family, and scrolling through OfferUp for sweet deals."

One thing he can't live without: "My worn-out—with holes—Adidas shoes"

On getting a master's degree in fine arts: "I will always encourage everyone to keep learning, but I don't think you always need school to do that. I think academic institutions are useful in helping to develop artists, especially if the professors are committed to supporting your work, and I'm lucky to have that at CalArts."

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AMDA students learn how to present their best selves on camera. Photo by Trae Patton, Courtesy AMDA

AMDA's 4 Tips for Acing Your Next Audition

Ah, audition day. The flurry of new choreography, the long lines of dancers, the wait for callbacks. It's an environment dancers know well, but it can also come with great stress. Learning how to be best prepared for the big day is often the key to staying calm and performing to your fullest potential (and then some).

This concept is the throughline of the curriculum at American Musical and Dramatic Academy, where dance students spend all four years honing their audition skills.

"You're always auditioning," says Santana Trujillo, AMDA's dance outreach manager and a graduate of its BFA program. On campus in Los Angeles and New York City, students have access to dozens of audition opportunities every semester.

For advice on how dancers can put their best foot forward at professional auditions, Dance Magazine recently spoke with Trujillo, as well as AMDA faculty members Michelle Elkin and Genevieve Carson. Catch the whole conversation below, and read on for highlights.

July 2021