What Does It Take to Be a Ballet Company's Head of Wardrobe on Opening Night?
Building a full-length ballet from scratch is an intense process. For the world premiere of Anna Karenina, a collaboration between The Joffrey Ballet and The Australian Ballet, that meant original choreography by Yuri Possokhov, a brand-new score by Ilya Demutsky, costume and set designs by Tom Pye and lighting designs by David Finn.
The lavish ballet features upwards of 200 complete looks—and more than 800 individual costume pieces.
"In the Joffrey costume shop we have a team of six to nine people, but for a big production like Anna not everything is made in-house," says Ellie Cotey, head of wardrobe for The Joffrey Ballet. She estimates that about 50 people total were involved in the build. "It is always fun to build beautiful costumes, but making naturally restrictive 19th-century costumes work for dance can be difficult."
Nicole Ciapponi and ensemble in the brand-new costumesCheryl Mann, Courtesy Joffrey
Despite the challenges, Cotey's ballet experience has proved invaluable. "I started ballet (and sewing) when I was 4. Having that knowledge helps me understand what the dancers are doing and how the costumes need to function." Cotey kept a journal on the day of Anna Karenina's opening night in Chicago to share how the finishing touches came together after 13 months.
7:45 am: Alterations
"I arrive for an early start at the theater today because there are lots of notes and alterations to finish before the final dress rehearsal this afternoon. We are focusing on hemming the last few skirts and doing some tweaks to the quick-change rigging on Anna's costumes. I spend most of the morning sitting on the floor trimming petticoat netting."
12:30 pm: Prepping for Final Dress Rehearsal
"Notes are finished and we are back from lunch prepping for the dress rehearsal that starts soon. Several dancers come in with small costume requests that are added to the notes list. So far nothing huge, just added closures and hat tweaks."
1 pm: Testing Quick Changes
"During the dress rehearsals, I spend half the time in the house taking notes with the costume designer and half the time backstage overseeing the more challenging quick changes in case of emergency. This rehearsal goes really smoothly, and the quick rigging changes that we made earlier are successful improvements."
Alberto Velazquez and Victoria Jaiani
Cheryl Mann, Courtesy Joffrey
5 pm: Dinner Break
"I step out for a quick dinner and to get some air. It's a bit of a chore to leave the theater today because snow boots and all the cold weather layers have to be put on."
6 pm: Pre-Show Costume Prep
"Back at the theater to get ready for the show. The wardrobe team puts out laundry, does repairs, steams and irons in preparation. I check to make sure everyone has what they need and do the pre-show prep for the magical quick-release costume."
7:30 pm: Curtain Up
"Seeing everything onstage on opening night is a huge sigh of relief! The curtain rises, and I make the rounds backstage throughout Act I to check on quick changes and presets. It's nice to be able to watch from the wings during the quieter moments."
8:35 pm: Mid-Show Repair
"Intermission is almost over and one of the guys comes in with ripped pants. I stitch them up in the wardrobe room before he has to go on. We will make sure to reinforce them before the next show. Sometimes the quick fixes are not the most beautiful."
Alberto Velazquez in Anna Karenina
Cheryl Mann, Courtesy Joffrey
9:45 pm: Curtain Call and Laundry
"The show ends and everyone celebrates onstage! After costumes have all been put back in their places and laundry has been started, we head out for more celebrating and look forward to tomorrow's well deserved day off."
- The Joffrey Ballet — Anna Karenina | ›
- Anna Karenina | Joffrey Ballet ›
- With 'Anna Karenina,' Joffrey unveils a modern classic at the ... ›
Summer is almost upon us, and whether you're a student about to go on break or a pro counting the days till layoff, don't forget that with warm weather comes a very serious responsibility: To maintain your cross-training routine on your own.
Those of us who've tried to craft our own cross-training routine know it's easier said than done. So we consulted the stars, and rounded up the best options for every zodiac sign. (TBH, you should probably consult an expert, too—we'd recommend a physical therapist, a personal trainer or your teacher.)
The way we create and consume dance is changing every day. Now more than ever, the field demands that dancers not only be able to perform at the highest level, but also collaborate with choreographers to bring their artistic visions to life. Dancers who miss out on choreographic training may very well find themselves at a disadvantage as they try to launch their careers.
It's become second nature in dance studios: The instant anyone gets hurt, our immediate reaction is to run to the freezer to grab some ice (or, more realistically, a package of frozen peas).
But as routine as icing our injuries might be, the benefits are not actually backed up by scientific studies. And some experts now believe icing could even disrupt the healing process.
I'm a contemporary dancer, and I'm nervous about trying to get pregnant since I can't predict if it might happen during the middle of the season. We have a union contract that is supposed to protect us. But I'm scared because several of my colleagues' contracts weren't renewed for no particular reason. Having a big belly could be a big reason to get rid of me!
—Andrea, New York, NY
It's not often that a promising choreographer gets to stage work in a world-class theater, on a skillfully-curated program with professional dancers, and with the possibility of winning a substantial cash prize. But at the McCallum Theatre's Palm Desert Choreography Festival, that's been the status quo for over twenty years.
Since Shea New, the festival's artistic director, founded the festival in 1998, she's worked tirelessly with McCallum's director of education and festival producer, Kajsa Thuresson-Frary, and stage manager and festival production manager Joanna Fookes to build a festival that nurtures choreographers, highlights high quality work, powerfully engages the local community and cultivates an audience base for dance in the Coachella Valley. The trio is backed by a strong team of professionals at McCallum and the brilliant volunteers from the local and national level who serve as adjudicators.
Get Dance Magazine in your inbox
When the going gets tough, the tough start dancing: That's the premise behind "Dance of Urgency," a recently opened exhibit at MuseumsQuartier Vienna that features photos, video and other documentary material relating to the use of dance as political protest or social uprising.
The groups featured in the show, largely based around clubs and electronic dance music scenes, span the globe and respond to a variety of issues—from inequality and social stratification to racial divides to crackdowns on club culture itself.
Last night, longtime theater legends (including Chita Rivera herself!) as well as rising stars gathered to celebrate one of Broadway's danciest events: the third annual Chita Rivera Awards.
The evening paid tribute to this season's dancer standouts, fabulous ensembles, and jaw-dropping choreography—on- and off-Broadway and on film.
As usual, several of our faves made it into the mix. (With such a fabulous talent pool of nominees to choose from, we're glad that ties were allowed.) Here are the highlights from the winner's list:
When you're a foreign dancer, gaining legal rights to work in the U.S. is a challenging process. It's especially difficult if you're petitioning to work as a freelance dancer without an agent or company sponsorship.
The process requires professional muscle along with plenty of resources and heart. "There's a real misnomer that it's super easy," says Neena Dutta, immigration attorney and president of Dutta Law Firm. "People need to educate themselves and talk to a professional."
Here are four things every foreign dancer who wants to work in the U.S. needs to know to build a freelance dance career here.
What does it take to "make it" in dance? It's no secret that turning this passion into a profession can be a struggle. In such a competitive field, talent alone isn't enough to get you where you want to be.
So what kinds of steps can you take to become successful? Dance Magazine spoke to 33 people from all corners of the industry to get their advice on the lessons that could help us all, no matter where we are in our careers.
On May 18, 1919, Margot "Peggy" Hookham was born. She would grow up to become Dame Margot Fonteyn, England's first homegrown prima ballerina. She joined the Sadler's Wells School in 1934 and was performing principal roles with the precursor to The Royal Ballet the next year. Fonteyn was a company-defining figure, dancing Aurora for the re-opening of the Royal Opera House after World War II, creating numerous roles with Sir Frederick Ashton and forging a legendary partnership with Rudolf Nureyev.
Memorial Day is notoriously one of Chicago's bloodiest weekends. Last year, 36 people were shot and seven died that weekend. In 2017 and 2016, the number of shootings was even higher.
When Garley "GiGi Tonyé" Briggs, a dance teacher and Chicago native, started noticing this pattern, she was preparing her second annual Memorial Day workshop for local youth.
The event's original aim was simple: "I wanted the youth of Chicago to have somewhere they could come and learn from different dancers and be off the streets on the South Side on this hot holiday," she says.
A recent trip I took to Nashville coincided with the NFL draft. As we drove into town, my Uber driver was a fount of information on the subject.
I learned that there are 32 NFL teams and that the draft takes place over seven rounds. That the team that did the poorest during the previous season gets first pick. That during an earlier event called the scouting combine, the teams assess college football players and figure out who they want.
There is also the veteran combine for "free agents"—players who have been released from their contracts or whose contracts have expired. They might be very good players, but their team needs younger members or ones with a certain skill set. All year round, experienced NFL scouts scan games across the country, checking out players and feeding that information back to the teams. Players' agents keep their eyes on opportunities for their clients which might be more rewarding.
While I sat in the traffic of 600,000 NFL fans I got thinking, is there something ballet could learn from football? Could a draft system improve young dancers' prospects and overall company caliber and contentment?
Despite what you might think, there's no reason for dancers to be afraid of bread.
"It's looked at as this evil food," says New York State–certified dietitian and former dancer Tiffany Mendell. But the truth is, unless you have celiac disease or a gluten intolerance, bread can be a healthy source of carbohydrates—our body's preferred fuel—plus fiber and vitamins.
The key is choosing your loaf wisely.