What Does It Take to Be a Ballet Company's Head of Wardrobe on Opening Night?
Building a full-length ballet from scratch is an intense process. For the world premiere of Anna Karenina, a collaboration between The Joffrey Ballet and The Australian Ballet, that meant original choreography by Yuri Possokhov, a brand-new score by Ilya Demutsky, costume and set designs by Tom Pye and lighting designs by David Finn.
The lavish ballet features upwards of 200 complete looks—and more than 800 individual costume pieces.
"In the Joffrey costume shop we have a team of six to nine people, but for a big production like Anna not everything is made in-house," says Ellie Cotey, head of wardrobe for The Joffrey Ballet. She estimates that about 50 people total were involved in the build. "It is always fun to build beautiful costumes, but making naturally restrictive 19th-century costumes work for dance can be difficult."
Nicole Ciapponi and ensemble in the brand-new costumesCheryl Mann, Courtesy Joffrey
Despite the challenges, Cotey's ballet experience has proved invaluable. "I started ballet (and sewing) when I was 4. Having that knowledge helps me understand what the dancers are doing and how the costumes need to function." Cotey kept a journal on the day of Anna Karenina's opening night in Chicago to share how the finishing touches came together after 13 months.
7:45 am: Alterations
"I arrive for an early start at the theater today because there are lots of notes and alterations to finish before the final dress rehearsal this afternoon. We are focusing on hemming the last few skirts and doing some tweaks to the quick-change rigging on Anna's costumes. I spend most of the morning sitting on the floor trimming petticoat netting."
12:30 pm: Prepping for Final Dress Rehearsal
"Notes are finished and we are back from lunch prepping for the dress rehearsal that starts soon. Several dancers come in with small costume requests that are added to the notes list. So far nothing huge, just added closures and hat tweaks."
1 pm: Testing Quick Changes
"During the dress rehearsals, I spend half the time in the house taking notes with the costume designer and half the time backstage overseeing the more challenging quick changes in case of emergency. This rehearsal goes really smoothly, and the quick rigging changes that we made earlier are successful improvements."
Alberto Velazquez and Victoria Jaiani
Cheryl Mann, Courtesy Joffrey
5 pm: Dinner Break
"I step out for a quick dinner and to get some air. It's a bit of a chore to leave the theater today because snow boots and all the cold weather layers have to be put on."
6 pm: Pre-Show Costume Prep
"Back at the theater to get ready for the show. The wardrobe team puts out laundry, does repairs, steams and irons in preparation. I check to make sure everyone has what they need and do the pre-show prep for the magical quick-release costume."
7:30 pm: Curtain Up
"Seeing everything onstage on opening night is a huge sigh of relief! The curtain rises, and I make the rounds backstage throughout Act I to check on quick changes and presets. It's nice to be able to watch from the wings during the quieter moments."
8:35 pm: Mid-Show Repair
"Intermission is almost over and one of the guys comes in with ripped pants. I stitch them up in the wardrobe room before he has to go on. We will make sure to reinforce them before the next show. Sometimes the quick fixes are not the most beautiful."
Alberto Velazquez in Anna Karenina
Cheryl Mann, Courtesy Joffrey
9:45 pm: Curtain Call and Laundry
"The show ends and everyone celebrates onstage! After costumes have all been put back in their places and laundry has been started, we head out for more celebrating and look forward to tomorrow's well deserved day off."
If "Fosse/Verdon" whet your appetite for the impeccable Gwen Verdon, then Merely Marvelous: The Dancing Genius of Gwen Verdon is the three-course meal you've been craving. The new documentary—available now on Amazon for rental or purchase—dives into the life of the Tony-winning performer and silver-screen star lauded for her charismatic dancing.
Though she's perhaps most well-known today as Bob Fosse's wife and muse, that's not even half of her story. For starters, she'd already won four Tonys before they wed, making her far more famous in the public eye than he was at that point in his career. That's just one of many surprising details we learned during last night's U.S. premiere of Merely Marvelous. Believe us: You're gonna love her even more once you get to know her. Here are eight lesser-known tidbits to get you started.
Every dancer knows that how you fuel your body affects how you feel in the studio. Of course, while breakfast is no more magical than any other meal (despite the enduring myth that it's the most important one of the day), showing up to class hangry is a recipe for unproductive studio time.
So what do your favorite dancers eat in the morning to set themselves up for a busy rehearsal or performance day?
When it comes to dance in the U.S., companies in the South often find themselves overlooked—sometimes even by the presenters in their own backyard. That's where South Arts comes in. This year, the regional nonprofit launched Momentum, an initiative that will provide professional development, mentorship, touring grants and residencies to five Southern dance companies.
You ever just wish that Kenneth MacMillan's iconic production of Romeo and Juliet could have a beautiful love child with the 1968 film starring Olivia Hussey? (No, not Baz Luhrmann's version. We are purists here.)
Wish granted: Today, the trailer for a new film called Romeo and Juliet: Beyond Words was released, featuring MacMillan's choreography and with what looks like all the cinematic glamour we could ever dream of: