Jonathan Stafford and Wendy Whelan Will Lead New York City Ballet
Well over a year after the retirement of Peter Martins, New York City Ballet has announced that former principal dancer Jonathan Stafford will lead the company and its affiliated School of American Ballet as artistic director. Fellow former principal Wendy Whelan will serve as associate artistic director.
Since last January, Stafford has helmed the interim leadership team, including Justin Peck, Craig Hall and Rebecca Krohn. And while he has led the company through a challenging year, he's still somewhat of an unconventional choice. While he was a compelling, understated dancer, he was never a bona fide star, as directors of major companies typically are. Stafford is not a choreographer, either, though the company did state during the search that they weren't necessarily looking for someone who would be making work.
Photo by Christopher Duggan, Courtesy Whelan
Whelan has the star power that Stafford may be lacking. But it would be a misrepresentation of her abilities and qualifications to say that she's been hired for this purpose alone. In fact, many were hoping that Whelan would be named director herself—a petition to hire her received over 15,000 signatures. This may not be the glass ceiling-smashing that many were hoping for, but The New York Times reports that Stafford and Whelan will work as partners, with Stafford overseeing the day-to-day operations of the company and Whelan having a bigger hand in programming. Each independently told the search committee that they would be interested in working together.
The set-up begs the question: If the two leaders will truly be "partners," why are they not co-artistic directors? Considering the company's recent scandals—and the troubling historical gender dynamics of the company—the arrangement sits just a bit uncomfortably. NYCB told The Times that they felt like having a clear leader was important after the rocky experience of having Martins and Jerome Robbins as co-leaders.
Photo by Rosalie O'Connor via sab.org
But having Whelan at the helm of programming is sure to bring exciting changes. She told The Times that she's interested in "more women choreographing, more diversity on stage, bigger ideas, more open ideas, more daring ideas." Since retiring from NYCB, she's worked with a wide range of choreographers—from Kyle Abraham to Lucinda Childs to Arthur Pita. If that's any indication of what her seasons will look like, we're in for some dynamic evenings at the ballet.
Both leaders said that improving the company's culture is a top priority. Board chairman Charles W. Scharf praised Stafford for the progress he's already made in this area, having opened up communication between dancers and leadership and organizing the company's first-ever performance reviews.
The news broke at a meeting with dancers this morning, where it was also announced that Peck would stop dancing for the company after the spring season, and will take the title of artistic advisor.
Stafford will begin his new position effective immediately, and Whelan will begin mid-March.
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When the news broke that Prince George, currently third in line for the British throne, would be continuing ballet classes as part of his school curriculum this year, we were as excited as anyone. (Okay, maybe more excited.)
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If you think becoming a trainee or apprentice is the only path to gaining experience in a dance company environment, think again.
The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
If you're seeking an extra dash of inspiration to start the new season on the right—dare we say—foot, look no further than dance documentaries.
Starting August 23, OVID, a streaming service dedicated to docs and art-house films, is adding eight notable dance documentaries to its library. The best part? There's a free seven-day trail. (After that, subscriptions are $6.99 per month or $69.99 annually.)
From the glamour of Russian ballet stars to young dancers training in Cuba to a portrait of powerhouse couple Carmen de Lavallade and Geoffrey Holder, here's what's coming to a couch near you: