How Choreographer Joshua L. Peugh Is Pushing Past Queer Archetypes in Texas & Beyond
With his honest, idiosyncratic movement, Joshua L. Peugh often tells untold stories through dance. He's reimagined The Rite of Spring, for instance, at a mid-century prom with the sacrificial virgin taking the form of a young man in drag.
On top of running his Dallas-based Dark Circles Contemporary Dance, Peugh, 34, has also created highly theatrical pieces for BODYTRAFFIC, BalletX, Whim W'Him and other troupes. His recent work takes a more serious turn, exploring Arab identities in Aladdin, Habibi and myths of masculinity and LGBT themes in Bud.
He recently spoke to Dance Magazine to share the ins-and-outs of his creative process.
How He Comes Up With Such Fascinating Ideas for Dances
"I am interested in 'the human comedy,' why we do some of the curious things we do and what makes us act in contradictory ways. I encourage dancers to let go of theatricality and let the story and their messy humanity come through the movement itself. "
"My ultimate desire is to reframe questions instead of providing answers."
Why He's Going Deeper Into LGBT Themes in His Latest Work
"I didn't plan it this way, but this season we are a company of mostly queer dancers. So now I am not asking them to tell my story, it's their story too. Most choreographers who are queer spend the majority of their time creating hetero-normative choreography featuring male/female partnering. I want to represent my tribe, our needs and desires. Push past some of the queer archetypes represented in mainstream media and give them more depth. LGBT stories told by LGBT people in an authentic, truthful way."
"Since the local football stadium's lights lit up my family's front lawn, I literally grew up under the Friday Night Lights. In Bud I collaborated with Brian Kenny, a queer multimedia artist and my best friend from high school. We are exploring rituals of masculinity and the fear and shame we felt as closeted teenagers, while also celebrating our friendship."
How Ohad Shaped Him
"Ohad Naharin is a huge influence when it comes to generating movement. One of his dancers began setting Minus 7 my first day at Korea's Universal Ballet in 2006, and when Ohad arrived a few weeks later to put the final touches on, he selected me to do the intermission improvisation, shocking the more experienced company members. His faith in my imagination and him giving me permission to follow my own personal fantasy unlocked something in me. His way of working gave me access to parts of my body and my mind that I had been neglecting. He reminded me of the pleasure of dancing."
The Influence of Theater
"Growing up in New Mexico, I was a total musical theater kid, and I thought that was my path. I am interested in acting methods. My high school theater teacher studied with Sanford Misner. Right now I'm very excited about ViewPoints, which is based in movement and the experience of letting things happen. Both Misner and ViewPoints train you to be present; to listen first and then respond. Gaga does the same thing. All of these influences have infiltrated and enhanced my creative process."
His Creations Are Team Efforts
"For Aladdin, Habibi, we made a list of plot points and each dancer made a movement to one plot point, We built the opening section that way. My dancers are available to follow their instincts. Watching each other helps disrupt our habitual patterns."
What It's Like Balancing a Company and Outside Commissions
"When I'm away on a commission, I'm able to get a lot done for Dark Circles because I'm not worried about day-to-day things. I don't have to worry about fundraising, morale issues, scheduling. I get to concentrate on the work I am creating. I get to be more present. The dancers I work with in other places who don't train with me on a daily basis, who can't easily anticipate what I might do next, remind me of colors on my palette that I may not have used in awhile. I always come home fired up and ready to push my company in new directions."
Just hearing the word "improvisation" is enough to make some ballet dancers shake in their pointe shoes. But for Chantelle Pianetta, it's a practice she relishes. Depending on the weekend, you might find her gracing Bay Area stages as a principal with Menlowe Ballet or sweeping in awards at West Coast swing competitions.
She specializes in Jack and Jill events, which involve improvised swing dancing with an unexpected partner in front of a panel of judges. (Check her out in action below.) While sustaining her ballet career, over the past four years Pianetta has quickly risen from novice to champion level on the WCS international competition circuit.
Sean Dorsey was always going to be an activist. Growing up in a politically engaged, progressive family in Vancouver, British Columbia, "it was my heart's desire to create change in the world," he says. Far less certain was his future as a dancer.
Like many dancers, Dorsey fell in love with movement as a toddler. However, he didn't identify strongly with any particular gender growing up. Dorsey, who now identifies as trans, says, "I didn't see a single person like me anywhere in the modern dance world." The lack of trans role models and teachers, let alone all-gender studio facilities where he could feel safe and welcome, "meant that even in my wildest dreams, there was no room for that possibility."
It's hour three of an intense rehearsal, you're feeling mentally foggy and exhausted, and your stomach hurts. Did you know the culprit could be something as simple as dehydration?
Proper hydration helps maintain physical and mental function while you're dancing, and keeps your energy levels high. But with so many products on the market promising to help you rehydrate more effectively, how do you know when it's time to reach for more than water?
Inside a bustling television studio in Los Angeles, Lindsay Arnold Cusick hears the words "Five minutes to showtime." While dancers and celebrities covered head to toe in sequins whirl around preparing for their live performances on "Dancing with the Stars," Cusick pauses to say a prayer to God and express her gratitude.
"I know that it's not a given, and I'm grateful for the opportunity to do what I love for a living," says Cusick, a member of The Church of Jesus Christ of Latter-day Saints. For her, prayer is a ritualized expression of her faith that she has maintained since she was a girl in Provo, Utah. Even with her seven-plus years of industry experience, she always takes a moment to steady herself and close her prayer in Christ's name before rushing onto the stage.