Jovani Furlan in George Balanchine's Walpurgisnacht Ballet. Daniel Azoulay, Courtesy NYCB.

Miami City Ballet Principal Jovani Furlan to Join NYCB This Fall

New York City Ballet announced on Facebook earlier this week that current Miami City Ballet principal Jovani Furlan will be joining the company as a soloist this fall. Furlan, a native of Joinville, Brazil, left Brazil's Bolshoi Theater School in 2011 to train at the MCB School; he joined the company as an apprentice in 2012 and has quickly made his way through the ranks.


Though it's highly unusual for NYCB to hire dancers from other companies (out of NYCB's 90 plus dancers, only two, Gonzalo Garcia and Ask La Cour, did not come straight from School of American Ballet), the company is in need of qualified male dancers to fill its upper ranks. Last fall, the company lost four principals: Joaquin de Luz retired, while Zachary Catazaro, Chase Finlay and Amar Ramasar were fired in the midst of a scandal surrounding the sharing of sexually explicit photos. NYCB also recently announced that Justin Peck will be stepping down as soloist at the end of the spring season to focus on choreographing and his new role as artistic advisor.

For Furlan, this move is a thrilling opportunity to dive deeper into George Balanchine's repertoire. "Growing up in Brazil and training at the Bolshoi I had very little awareness about Balanchine," he says, "but once I joined MCB School and started learning about it, I instantly fell in love with all of it." Furlan credits much of this passion to former MCB artistic director and NYCB star Edward Villella. "Once I started taking classes with the company, watching him teaching class and the steps with such style and attack was unreal," he says, adding, "We were extremely lucky and blessed to have Lourdes Lopez take over and keep the Balanchine legacy alive. She's always been so committed to the integrity of all of Mr. B's works and has so much to share."

As for why he's decided to leave MCB for NYCB, Furlan stresses the importance of jumping at new opportunities. "NYCB has an unparalleled repertoire in one of the most amazing cities in the world, and that's what it's about: the repertoire and the amount of performing I'll get to do," he says. "This career is so short and demanding; you never know how long you're going to last."

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Physical stillness can be one of the hardest things to master in dance. But stillness in the bigger sense—like when your career and life are on hold—goes against every dancers' natural instincts.

"Dancers are less comfortable with stillness and change than most," says TaraMarie Perri, founder and director of Perri Institute for Mind and Body and Mind Body Dancer. "Through daily discipline, we are trained to move through space and are attracted to forward momentum. Simply put, dancers are far more comfortable when they have a sense of control over the movements and when life is 'in action.' "

To regain that sense of control, and soothe some of the anxiety most of us are feeling right now, it helps to do what we know best: Get back into our bodies. Certain movements and shapes can help ground us, calm our nervous system and bring us into the present.

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