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Miami City Ballet Principal Jovani Furlan to Join NYCB This Fall

Jovani Furlan in George Balanchine's Walpurgisnacht Ballet. Daniel Azoulay, Courtesy NYCB.

New York City Ballet announced on Facebook earlier this week that current Miami City Ballet principal Jovani Furlan will be joining the company as a soloist this fall. Furlan, a native of Joinville, Brazil, left Brazil's Bolshoi Theater School in 2011 to train at the MCB School; he joined the company as an apprentice in 2012 and has quickly made his way through the ranks.


Though it's highly unusual for NYCB to hire dancers from other companies (out of NYCB's 90 plus dancers, only two, Gonzalo Garcia and Ask La Cour, did not come straight from School of American Ballet), the company is in need of qualified male dancers to fill its upper ranks. Last fall, the company lost four principals: Joaquin de Luz retired, while Zachary Catazaro, Chase Finlay and Amar Ramasar were fired in the midst of a scandal surrounding the sharing of sexually explicit photos. NYCB also recently announced that Justin Peck will be stepping down as soloist at the end of the spring season to focus on choreographing and his new role as artistic advisor.

For Furlan, this move is a thrilling opportunity to dive deeper into George Balanchine's repertoire. "Growing up in Brazil and training at the Bolshoi I had very little awareness about Balanchine," he says, "but once I joined MCB School and started learning about it, I instantly fell in love with all of it." Furlan credits much of this passion to former MCB artistic director and NYCB star Edward Villella. "Once I started taking classes with the company, watching him teaching class and the steps with such style and attack was unreal," he says, adding, "We were extremely lucky and blessed to have Lourdes Lopez take over and keep the Balanchine legacy alive. She's always been so committed to the integrity of all of Mr. B's works and has so much to share."

As for why he's decided to leave MCB for NYCB, Furlan stresses the importance of jumping at new opportunities. "NYCB has an unparalleled repertoire in one of the most amazing cities in the world, and that's what it's about: the repertoire and the amount of performing I'll get to do," he says. "This career is so short and demanding; you never know how long you're going to last."

Broadway
Courtesy Macy's, Inc.

As you're prepping your Thanksgiving meal, why not throw in a dash of dance?

This year's Macy's Thanksgiving Day Parade is stuffed (pun intended) with performances from four stellar Broadway shows, the Radio City Rockettes and students from three New York City dance institutions.

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Ailey II artistic director Troy Powell teaching an Ailey Workshop at NYCDA. Courtesy NYCDA

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"But I was pleasantly surprised by the enormity of talent that was there," she says. "His goal was to start scholarship opportunities, and I said okay, I'm in."

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Sergei Polunin. Photo by British Broadcasting Corporation and Polunin Ltd., Courtesy Sundance Selects.

Last week, Variety reported that Sergei Polunin would reunite with the team behind Dancer for another documentary. "Where 'Dancer' looked at his whole life, family and influences," director Steven Cantor said, " 'Satori' will focus more squarely on his creative process as performer and, for the first time ever, choreographer." The title references a poorly received evening of work by the same name first presented by Polunin in 2017. (It recently toured to Moscow and St. Petersburg.)

I cannot be the only person wondering why we should care.

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Sponsored by Harlequin Floors
Left: Hurricane Harvey damage in Houston Ballet's Dance Lab; Courtesy Harlequin. Right: The Dance Lab pre-Harvey; Nic Lehoux, Courtesy Houston Ballet.

"The show must go on" may be a platitude we use to get through everything from costume malfunctions to stormy moods. But when it came to overcoming a literal hurricane, Houston Ballet was buoyed by this mantra to go from devastated to dancing in a matter of weeks—with the help of Harlequin Floors, Houston Ballet's longstanding partner who sprang into action to build new floors in record time.

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