Miami City Ballet Principal Jovani Furlan to Join NYCB This Fall
New York City Ballet announced on Facebook earlier this week that current Miami City Ballet principal Jovani Furlan will be joining the company as a soloist this fall. Furlan, a native of Joinville, Brazil, left Brazil's Bolshoi Theater School in 2011 to train at the MCB School; he joined the company as an apprentice in 2012 and has quickly made his way through the ranks.
Though it's highly unusual for NYCB to hire dancers from other companies (out of NYCB's 90 plus dancers, only two, Gonzalo Garcia and Ask La Cour, did not come straight from School of American Ballet), the company is in need of qualified male dancers to fill its upper ranks. Last fall, the company lost four principals: Joaquin de Luz retired, while Zachary Catazaro, Chase Finlay and Amar Ramasar were fired in the midst of a scandal surrounding the sharing of sexually explicit photos. NYCB also recently announced that Justin Peck will be stepping down as soloist at the end of the spring season to focus on choreographing and his new role as artistic advisor.
For Furlan, this move is a thrilling opportunity to dive deeper into George Balanchine's repertoire. "Growing up in Brazil and training at the Bolshoi I had very little awareness about Balanchine," he says, "but once I joined MCB School and started learning about it, I instantly fell in love with all of it." Furlan credits much of this passion to former MCB artistic director and NYCB star Edward Villella. "Once I started taking classes with the company, watching him teaching class and the steps with such style and attack was unreal," he says, adding, "We were extremely lucky and blessed to have Lourdes Lopez take over and keep the Balanchine legacy alive. She's always been so committed to the integrity of all of Mr. B's works and has so much to share."
As for why he's decided to leave MCB for NYCB, Furlan stresses the importance of jumping at new opportunities. "NYCB has an unparalleled repertoire in one of the most amazing cities in the world, and that's what it's about: the repertoire and the amount of performing I'll get to do," he says. "This career is so short and demanding; you never know how long you're going to last."
Just hearing the word "improvisation" is enough to make some ballet dancers shake in their pointe shoes. But for Chantelle Pianetta, it's a practice she relishes. Depending on the weekend, you might find her gracing Bay Area stages as a principal with Menlowe Ballet or sweeping in awards at West Coast swing competitions.
She specializes in Jack and Jill events, which involve improvised swing dancing with an unexpected partner in front of a panel of judges. (Check her out in action below.) While sustaining her ballet career, over the past four years Pianetta has quickly risen from novice to champion level on the WCS international competition circuit.
Sean Dorsey was always going to be an activist. Growing up in a politically engaged, progressive family in Vancouver, British Columbia, "it was my heart's desire to create change in the world," he says. Far less certain was his future as a dancer.
Like many dancers, Dorsey fell in love with movement as a toddler. However, he didn't identify strongly with any particular gender growing up. Dorsey, who now identifies as trans, says, "I didn't see a single person like me anywhere in the modern dance world." The lack of trans role models and teachers, let alone all-gender studio facilities where he could feel safe and welcome, "meant that even in my wildest dreams, there was no room for that possibility."
It's hour three of an intense rehearsal, you're feeling mentally foggy and exhausted, and your stomach hurts. Did you know the culprit could be something as simple as dehydration?
Proper hydration helps maintain physical and mental function while you're dancing, and keeps your energy levels high. But with so many products on the market promising to help you rehydrate more effectively, how do you know when it's time to reach for more than water?