June's Best Performance Bets, Chosen by DM Writers and Editors
This month's picks include premieres, Little Princes and a principal dancer's farewell that's sure to leave you sobbing. Here are the shows our writers and editors around the country are most excited to catch.
Pearls in PA
STAYCEE PEARL dance project & Soy Sos
Kitoko Chargois, Courtesy PearlArts Studios
PITTSBURGH Choreographer Staycee Pearl is on a mission to establish Pittsburgh as a dance destination. She's been creating sociopolitically informed works for her company, STAYCEE PEARL dance project & Soy Sos, since 2010 and opened PearlArts Studios in 2012. Now, she draws on local and national talent for Pittsburgh's first pearlPRESENTS Dance Festival, a week packed with master classes and performances. Pearl's troupe shares the stage with Island Moving Company and launches its touring partnership with Sidra Bell Dance New York. Completing the roster are Chitra Subramanian's chitra.MOVES, PearlDiving Movement Residency alumni (including slowdanger and Jasmine Hearn) and a dozen local artists chosen by lottery for festival opener 3600 Seconds of Solos. June 3–9. pearlartsstudios.com. —Karen Dacko
CHARLESTON Caracalla Dance Theatre brings an iconic collection of Arabic folklore to life in One Thousand and One Nights, which makes its U.S. debut at Spoleto Festival USA this month. The Beirut-based company's epic production mixes ballet, Graham and Arabic folk-dance techniques with opulent designs and a score that includes Ravel's Bolero and (of course) Rimsky-Korsakov's Scheherazade. June 7–9. spoletousa.org. —Courtney Escoyne
Marc Brew's Od:yssey
Robert Howard, Courtesy Dancing Wheels
CLEVELAND Reverse*Reboot*Reveal, from Dancing Wheels, America's first physically integrated dance company, features three new works created by choreographers with disabilities: Marc Brew, artistic director of AXIS Dance Company; Laurel Lawson, of Full Radius Dance; and Antoine Hunter, director of San Francisco's Urban Jazz Dance Company. Says Dancing Wheels founder/artistic director Mary Verdi-Fletcher: "Few artists with disabilities have had the opportunity to hone their skills as choreographers. We want to help change that." June 14. dancingwheels.org. —Steve Sucato
Roberto Bolle as Des Grieux in Sir Kenneth MacMillan's Manon
Gene Schiavone, Courtesy ABT
NEW YORK CITY After over a decade of turning heads and breaking hearts at American Ballet Theatre, Roberto Bolle is saying good-bye to the company. The international star's final ABT performances will be as the idealistic Des Grieux in Sir Kenneth MacMillan's tragic Manon, dancing opposite Hee Seo for both the opening night of the ballet on June 17 and at a special farewell performance June 20. Bring your tissues. abt.org. —CE
Quinn Wharton, Courtesy Post:Ballet
SAN FRANCISCO What happens when you place dancers inside an augmented-reality art installation that's activated by movement? Visitors to Onedome will find out when Post:Ballet takes over LMNL and The Unreal Garden, two of the interactive venue's mixed-reality spaces that blend art, architecture and multimedia. The premiere is appropriately titled Mirage. June 21–22. postballet.org. —CE
Update: As of June 10, this production has been cancelled due to an issue with the venue.
Le Petit Prince
This summer, two versions of Antoine de Saint-Exupéry's classic tale of love, loss and societal malaise premiere.
Whim W'Him in rehearsal
Stefano Altamura, Courtesy Whim W'Him
This Is Not The Little Prince
SEATTLE Olivier Wevers' all-original This Is Not The Little Prince, for Whim W'Him, gives a surreal rendering, using a monochromatic stage setting and shadow lighting. Says Wevers, "I want to challenge the audience's sensibilities, combining Saint-Exupéry's anti-realism with René Magritte's jarring aesthetic." June 7–15. whimwhim.org. —Gigi Berardi
BalletX's Roderick Phifer
Gabriel Bienczycki, Courtesy BalletX
The Little Prince
PHILADELPHIA Masterful storyteller Annabelle Lopez Ochoa's premiere for BalletX explores how the pilot's meeting with the titular prince leads him to ask life's big questions. "The Little Prince is the pilot's inner voice, the vivid child imagination that each adult has," says Ochoa. July 10–21. balletx.org. —GB
- The Little Prince (1974) - Bob Fosse Scene - YouTube ›
- BalletX: The Little Prince | Vail Dance Festival ›
- Le Petit Prince | The National Ballet of Canada ›
- Summer Series 2019 | BalletX ›
- This Is Not The Little Prince – Whim W'Him ›
- Mirage — Post:Ballet ›
- History — Post:Ballet ›
- Manon ›
- Roberto Bolle says addio to American Ballet Theatre ›
- Roberto Bolle – Official Website ›
- The Dancing Wheels Company - Home | Facebook ›
- Dancing Wheels – Art. Motion. Dance. ›
- One Thousand and One Nights | Spoleto Festival USA 2019 ›
- Caracalla Dance Theatre ›
- PearlPRESENTS Dance Festival ›
- pearlPRESENTS Dance Festival — PearlArts Studios ›
What happens during a performance is the product of the painstaking process of realizing an artistic vision. Whether held beforehand, afterward, offsite or online, audience discussions tend not to be so preordained, easily thrown off track without a skilled moderator at the helm.
"I'm someone who dreaded talkbacks and Q&As," admits Bill Bragin, former director of public programming at Lincoln Center. "While I was in New York, a lot of the time it was just audience members trying to show off how smart they were."
These events present a pile of difficult questions: How much do you reveal about a piece before it's shown? How can a conversation designed to hit key points feel casual and spontaneous? How do you cater to the needs of diverse attendees, from novice dancegoers to lifelong fans to scholars and critics? And how do you avoid smothering dance with language, flattening all its complexity?
If you think becoming a trainee or apprentice is the only path to gaining experience in a dance company environment, think again.
The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
I dance to encourage others. The longer I dance, the more I see that much of my real work is to speak life-giving words to my fellow artists. This is a multidimensionally grueling profession. I count it a privilege to remind my colleagues of how they are bringing beauty into the world through their craft. I recently noticed significant artistic growth in a fellow dancer, and when I verbalized what I saw, he beamed. The impact of positive feedback is deeper than we realize.