For Katherine Barkman, Falling Onstage Led to Her Latest Job Offer
Katherine Barkman's career reads like a storybook: At 18, she left Pennsylvania and moved to the Philippines to become a principal at Ballet Manila. She danced Juliet, Giselle, Odette/Odile and Kitri, but three years in, it was time for new challenges. Late last year, Barkman joined The Washington Ballet, bringing her scintillating, pure Vaganova technique and her warm stage persona to U.S. audiences.
Company: The Washington Ballet
Hometown: Bucks County, Pennsylvania
Accolades: USA International Ballet Competition (silver), Varna IBC (silver), Asian Grand Prix (grand prix), Valentina Kozlova IBC (gold)
Competing at Varna
Photo by Ani Collier, Courtesy The Washington Ballet
Vaganova training: When Barkman was ready to get serious about ballet at 14, her mother found Vaganova expert Nadia Pavlenko. "When I went for a trial class, they told me I danced like a monkey," says Barkman. Undeterred, she signed on for private lessons and completed high school online.
Unconventional route: American Ballet Theatre invited her to join its Studio Company when she was 17, but Barkman turned it down. "Physically I needed one more year of training." After that, she sent out more than 50 resumés and Ballet Manila offered her a principal position. "I knew I had to go because I was going to get to dance roles that I wouldn't touch for another 10 years if I joined a bigger company."
Life in Manila: Leaving the comfort of her suburban home was hard. "I didn't have enough money to get my own place, so I was living in a dorm with five girls and doing laundry in a tub with a hose."
Finding meaning: Ballet Manila artistic director Lisa Macuja-Elizalde frequently sent Barkman to international competitions and guest performances. Just as often, the company would perform for children in the country's poorest neighborhoods. "I would dance the Rose Adagio in a basketball court. I had never imagined that ballet would make kids so happy."
Barkman in Balanchine's Tarantella
Mena Brunette of XMB Photography, Courtesy The Washington Ballet
Coming home: When competing at the Jackson IBC in 2018, Barkman received a silver medal, despite falling onstage. "I made the choice to not let that cripple me," she says. That's when she met The Washington Ballet's artistic director, Julie Kent, who invited her to guest at TWB's season opener—and then join the company. "I was impressed with Katherine immediately," says Kent. "She's just got such a real ballerina quality."
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The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:
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We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
On August 19, 1929, shockwaves were felt throughout the dance world as news spread that impresario Sergei Diaghilev had died. The founder of the Ballets Russes rewrote the course of ballet history as the company toured Europe and the U.S., championing collaborations with modernist composers, artists and designers such as Igor Stravinsky, Pablo Picasso and Coco Chanel. The company launched the careers of its five principal choreographers: Michel Fokine, Vaslav Nijinsky, Léonide Massine, Bronislava Nijinska and George Balanchine.