Courtesy DM Archives

#TBT: How Katherine Dunham's Marriage of Anthropology and Artistry Shaped Modern Dance

To call Katherine Dunham a trailblazer is something of an understatement. She was the first American to present indigenous dance on the concert stage, the force behind the first self-supporting Black dance company in the U.S., an unflinching proponent of racial equality and the creator of one of modern dance's foundational techniques.


Born June 22, 1909, the Chicago native gained as much fame for her evocative performances as for her anthropological research, traveling to the Caribbean to immerse herself in cultures where dance was not merely entertainment, but a way of life. She brought back video footage, photographs and densely packed notebooks full of her observations.

Courtesy DM Archives

In the May 1947 issue of Dance Magazine, Katherine Dunham said, "I am only interested in dance as an education, as a means of knowing peoples."

In the May 1947 issue of Dance Magazine, she recalled: "I seemed always to live this sort of dual existence of having my intellect absorbed in searching out and annotating the real and authentic steps and movements, and an eye trained to see all of this color and movement and drama translated into theater idiom; and my notebooks, too, abound in marginal notes for use of the 'real' material in the theater when I returned home, for I was more than ever determined to have a group of dancers who would be able to show the people of the United States what others have contributed to our culture."

Dunham received a Dance Magazine Award in 1969, was a Kennedy Center Honoree in 1983 and was awarded the National Medal of Arts in 1989.

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CalArts dance students. Photo by Josh S. Rose, Courtesy CalArts

4 Reasons Interdisciplinary Education Can Make You a Stronger Dancer, According to CalArts

After years spent training in their childhood studio, it can be hard for dancers to realize exactly how many pathways there are toward career success. The School of Dance at CalArts aims to show its students all of them.

Built with the intention to break barriers and bend the rules, CalArts' interdisciplinary curriculum ensures that students take classes that cover an entire spectrum of artistic approaches. The result? A dance program that gives you much more than just dance.

Last week, Dance Magazine caught up with Kevin Whitmire, assistant director of admission for CalArts School of Dance, and recent alum Kevin Zambrano for the inside scoop on how an interdisciplinary curriculum can make you a stronger artist. Watch the full event below, and read on for the highlights.

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July 2021