Kevin Spacey Added a New Celebrity Impression to His Arsenal: Fred Astaire

The 2017 Tony Awards were last night, and despite it being a highly competitive Broadway season, things went more or less as predicted. Andy Blankenbuehler took home yet another Tony for Best Choreography after the cast of Bandstand showed everyone exactly why he deserved it (and, of course, the award was announced during a commercial break). Ben Platt broke everyone's hearts with his live performance of "Waving Through a Window" before going on to take Best Actor in a Musical for Dear Evan Hansen. Bette Midler didn't sing but did finally get a Tony Award for acting (and refused to let anyone rush her long-awaited acceptance speech). Josh Groban and the cast of Natasha, Pierre & The Great Comet of 1812 went all in for the final performance of the night. Dear Evan Hansen took home Best New Musical, while Come From Away, which was neck-in-neck for the big prize, got Best Direction of a Musical.

What we really, really weren't expecting: host Kevin Spacey singing and dancing through the first ten minutes of the ceremony.


Not only did Spacey channel Platt, Groundhog Day's Andy Karl and Groban to parody their respective musicals and poke fun at how difficult it was for the Tonys to find a host this year, he also stole the show by ending the number a la Fred Astaire, complete with cane, top hat, tails and tap shoes. Did he look like he was trying really, really hard? Yes. Did he carry it off rather well anyway? Definitely.

The full video is below. We stand corrected: Spacey can be a song-and-dance man.

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Clockwise from top left: Photo by Loreto Jamlig, Courtesy Ladies of Hip-Hop; Wikimedia Commons; Photo by Alexander Iziliaev, Courtesy Pennsylvania Ballet; Natasha Razina, Courtesy State Academic Mariinsky Theatre; Photo by Will Mayer for Better Half Productions, Courtesy ABT

The 10 Biggest Dance Stories of 2019

What were the dance moments that defined 2019? The stories that kept us talking, week after week? According to our top-clicked articles of the year, they ranged from explorations of dance medicine and dance history, takedowns of Lara Spencer and companies who still charge dancers to audition, and, of course, our list of expert tips on how to succeed in dance today.

We compiled our 10 biggest hits of the year, and broke down why we think they struck a chord:

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Christopher Duggan, Courtesy Nichols

I Am a Black Dancer Who Was Dressed Up in Blackface to Perform in La Bayadère

On Instagram this week, Misty Copeland reposted a picture of two Russian ballerinas covered head to toe in black, exposing the Bolshoi's practice of using blackface in the classical ballet La Bayadère. The post has already received over 60,000 likes and 2,000 comments, starting a long overdue conversation.

Comments have been pouring in from every angle imaginable: from history lessons on black face, to people outside of the ballet world expressing disbelief that this happens in 2019, to castigations of Copeland for exposing these young girls to the line of fire for what is ultimately the Bolshoi's costuming choice, to the accusations that the girls—no matter their cultural competence—should have known better.

I am a black dancer, and in 2003, when I was 11 years old, I was dressed up in blackface to perform in the Mariinsky Ballet's production of La Bayadère.

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Here's the First Trailer for the "In the Heights" Movie

Lights up on Washington Heights—because the trailer for the movie adaptation of the hit Broadway musical In the Heights has arrived. It's our first look into Lin-Manuel Miranda's latest venture into film—because LMM isn't stopping at three Tony awards, a Grammy award, and an Emmy.

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