Maria Baranova, Courtesy Kyle Abraham

Kyle Abraham Is Dance Magazine’s Guest Editor This Week

During my first year at NYU's Tisch School of the Arts, there was a grad student in my ballet class who mystified me. At the end of almost every across-the-floor combination, he'd drop the classical positions and improvise for an additional count of eight, mixing hip-hop swagger with contemporary abandon. In ballet class! As a sheltered bunhead who'd always strictly followed the teacher's combinations like they were The Law, watching him find his own groove in the corner blew my mind. Partly because it felt so rebellious, but also because his movement was simply mesmerizing to watch.

That guy was Kyle Abraham. And even back then in 2003, he was already making his own rules.

He would go on to win a MacArthur "genius" grant 10 years later for his bold, haunting works about police brutality and violence, intimacy and vulnerability. And he endeared himself to the dance community by using that money to help fund his A.I.M dancers' 52-week contracts (with health insurance and vacation days—even through a pandemic). Then he became even more beloved by refusing to be presented on any rep program that didn't also include a work by a female choreographer.

I'm thrilled to announce that this week, he's Dance Magazine's first-ever guest editor for our website, taking over starting today with stories that were all his ideas. Stay tuned for pieces about what it's like to join a new company during the pandemic, what goes into titling a dance work, how directors choose rep, what happens to a choreographer after they "emerge" into mid-career and more. It's an exciting lineup with lots of insight for anyone in the dance field.

To celebrate Abraham's week as guest editor, our friends over at The Dance Edit podcast aired an interview with him last Thursday. Check out the episode to listen to him speak about the new piece he's working on now, how he's reevaluating the way he leads as a director, why he misses buying CDs and much more.

Thank you, Kyle, for sharing your insights and ideas with us. You've never stopped blowing my mind.

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AMDA students learn how to present their best selves on camera. Photo by Trae Patton, Courtesy AMDA

AMDA's 4 Tips for Acing Your Next Audition

Ah, audition day. The flurry of new choreography, the long lines of dancers, the wait for callbacks. It's an environment dancers know well, but it can also come with great stress. Learning how to be best prepared for the big day is often the key to staying calm and performing to your fullest potential (and then some).

This concept is the throughline of the curriculum at American Musical and Dramatic Academy, where dance students spend all four years honing their audition skills.

"You're always auditioning," says Santana Trujillo, AMDA's dance outreach manager and a graduate of its BFA program. On campus in Los Angeles and New York City, students have access to dozens of audition opportunities every semester.

For advice on how dancers can put their best foot forward at professional auditions, Dance Magazine recently spoke with Trujillo, as well as AMDA faculty members Michelle Elkin and Genevieve Carson. Catch the whole conversation below, and read on for highlights.

July 2021