Kyle Abraham and Emma Portner Are Choreographing for NYCB

Ever since New York City Ballet's interim leadership team took over from Peter Martins, we've been curious whether they'd get a chance to try their hand at programming. (It was unclear how much Martins had done before he retired.)

As it turns out, Martins left room for Justin Peck, Rebecca Krohn, Craig Hall and Jonathan Stafford to select two of the company's six commissions for the 2018-19 season. Their choicesKyle Abraham and Emma Portner—are surprising, and thrilling.


Neither choreographer has made work on a large ballet company before, though Abraham created a duet with Wendy Whelan for her "Restless Creature" series, among his other commissions for companies like Alvin Ailey American Dance Theater and work for his own company. And though Portner has been a favorite in commercial circles for a few years now, the concert commissions have just recently started rolling in: This fall she'll be collaborating with Lil Buck and Dev Hynes for a full-length work for Hubbard Street Dance Chicago, and working with Anne Plamondon on a Fall for Dance North piece.

This news comes just off the heels of American Ballet Theatre's announcement that tap dynamo Michelle Dorrance will make three works for the company over the next year. Bold, out-of-the-box programming choices are apparently in season, and we're totally here for it.

The four commissions chosen by Martins are slightly more traditional, but promising nonetheless. They include works by BalletX co-founder Matthew Neenan (also his first for the company) and Gianna Reisen, the young choreographer who created Composer's Holiday on the company last year, and two pieces by Peck, one of which will be set to a new score by Sufjan Stevens.

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Studio Bleu students Jaxon Keller, Samantha Halker and Alia Wiggins. Photos by Chris Stark

How Turning Boards and Practice Mats Can Revolutionize Your Dance Training

When it comes to equipment, dancers don't need much—just shoes and whatever can fit in their dance bag. But between rehearsals in the studio and performances on stage, one major piece of equipment often goes overlooked—the floor.

Dancers too often find themselves warming up on the concrete or carpet backstage, or wanting to practice in a location without a proper floor. For years, Harlequin Floors has offered a solution to this problem with its innovative turning board, offering a portable and personal floor that can be flipped between marley and wood. Now, they've revolutionized portability again with their practice mat, offering dancers the option to roll up their own personal floor and sling it over their shoulders like a yoga mat.

We spoke with experts from every corner of the dance industry to see how Harlequin's products have become their everyday essentials:

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