Women's colleges foster female leadership and empowerment.
On the surface, the offerings at women's colleges are similar to those of other small liberal arts colleges. But Lynn Garafola, co-chair of the dance department at Barnard College, notes the intimate settings are tailored to meet the specific needs of women. These dance departments view the field from a female perspective, and help students thrive as leaders. “They get a heightened awareness of women's place in the universe," says Garafola. Jordan Wanderer, a rising senior at Mills College majoring in dance and biology, says she's found that students become more empowered: “We are not afraid to speak our minds and to stand up for ourselves." That approach can change how dancers see themselves in the studio and beyond. “As women, we're socialized to be small," says Paris Williams, a rising junior dance major and social justice minor at Hollins University. “I've learned how to take up space and be okay with that."
At a Glance
Jordan Wanderer, a rising senior at Mills, and Paris Williams, a rising junior at Hollins, share their experiences.
The All-Woman Environment
Jordan Wanderer: “As dancers, we are empowered to claim space and understand the power of our weight. It's a welcoming environment rooted in unapologetic exploration."
Paris Williams: “There's a different intimacy. It allows me to really focus on what I want, and practicing that mind-set is preparing me for when I am in a bigger place."
A Typical Day
JW: Technique class; lunch; rehearsal; dance theory or composition classes; science lecture or lab; rehearsals for student work.
PW: Dance class; a gender and women's studies class or sociology class; rehearsal; weekly RA meeting; dinner; repertory class; possible rehearsal.
JW: “We work very closely with the coed grad students. We are always taking classes with men and potentially dancing in each other's work. Contact improv or partnering of any kind is gender-fluid."
PW: “Our graduate program is coed—some grad students are here year-round, and there are a lot of male dancers here in the summer."
JW: Wanderer is an ambassador for the undergraduate dancers at Mills, acting as a resource for prospective students and answering questions about the department.
PW: Williams is the external chair for the Hollins Repertory Dance Company, and is earning a leadership certificate through the school's Batten Leadership Institute. “It's a way for us to navigate and redefine what leadership means. With pretty much any situation, you can think of yourself as a leader, big or small."
Dance History Connection
Lynn Garafola, co-chair of the dance department at Barnard College, points out the close connection between some women's colleges and the early development of modern dance. Schools like Mills and Bennington (now coed) were among the first places to establish modern dance programs and give women professional training in the form. Today, the schools' dance departments cover a wider variety of genres, but she finds that these roots have made them good places for women to explore choreographing. “Composition has historically been a very important part of a modern dance program," she says. “I think this is one of the reasons why women's colleges prepare students to take part as performers but also to create their own work."
Women's Colleges Offering Dance Degrees
Agnes Scott College
New York, NY
Bryn Mawr College
Bryn Mawr, PA
Cedar Crest College
Mount Holyoke College
South Hadley, MA
Sweet Briar College
Sweet Briar, VA
It's a cycle familiar to many: First, a striking image of a lithe, impossibly fit dancer executing a gravity-defying développé catches your eye on Instagram. You pause your scrolling to marvel, over and over again, at her textbook physique.
Inevitably, you take a moment to consider your own body, in comparison. Doubt and negative self-talk first creep, and then flood, in. "I'll never look like that," the voice inside your head whispers. You continue scrolling, but the image has done its dirty work—a gnawing sensation has taken hold, continually reminding you that your own body is inferior, less-than, unworthy.
It's no stretch to say that social media has a huge effect on body image. For dancers—most of whom already have a laser-focus on their appearance—the images they see on Instagram can seem to exacerbate ever-present issues. "Social media is just another trigger," says Nadine Kaslow, a psychologist who works with the dancers of Atlanta Ballet. "And dancers don't need another trigger." In the age of Photoshop and filters, how can dancers keep body dysmorphia at bay?
If "Fosse/Verdon" whet your appetite for the impeccable Gwen Verdon, then Merely Marvelous: The Dancing Genius of Gwen Verdon is the three-course meal you've been craving. The new documentary—available now on Amazon for rental or purchase—dives into the life of the Tony-winning performer and silver-screen star lauded for her charismatic dancing.
Though she's perhaps most well-known today as Bob Fosse's wife and muse, that's not even half of her story. For starters, she'd already won four Tonys before they wed, making her far more famous in the public eye than he was at that point in his career. That's just one of many surprising details we learned during last night's U.S. premiere of Merely Marvelous. Believe us: You're gonna love her even more once you get to know her. Here are eight lesser-known tidbits to get you started.
Every dancer knows that how you fuel your body affects how you feel in the studio. Of course, while breakfast is no more magical than any other meal (despite the enduring myth that it's the most important one of the day), showing up to class hangry is a recipe for unproductive studio time.
So what do your favorite dancers eat in the morning to set themselves up for a busy rehearsal or performance day?
When it comes to dance in the U.S., companies in the South often find themselves overlooked—sometimes even by the presenters in their own backyard. That's where South Arts comes in. This year, the regional nonprofit launched Momentum, an initiative that will provide professional development, mentorship, touring grants and residencies to five Southern dance companies.