Larry Keigwin Made Us A Playlist & His Musical Taste Is Just As Fun As His Choreography

If you've ever seen Larry Keigwin's work, you probably guessed that he's a fun guy. His choreography is cheeky and humorous; unexpected and electrifying. And though his aesthetic is decidedly contemporary, there's a touch of that classic modern dance style that makes his partnerships with troupes like Paul Taylor Dance Company and Martha Graham Dance Company so fitting.

His musical taste is pretty similar: eclectic feel-good bops from the contemporary (Justin Bieber) to the classic (Dionne Warwick.) He made us a playlist of the songs that make him move, whether in the studio or in his bedroom:


What He's Doing When He's Listening to These Songs:

"I am most likely dancing 'like nobody is watching' in my bedroom. I listen to this playlist to let go, to warm up, as a motor to generate new moves or to shake up a creative block."

Why He's Always Loved Sheila E's "The Glamorous Life"

"I remember jamming to this song as a teenager. Imagine a 12-year-old boy lip-syncing into a hairbrush....that was me."

Why His Playlists Are So Eclectic

"Variety is the spice of life. I enjoy mixing genres and decades. I like to keep my playlists full of surprises."

On His "Knock On Wood" Nightclub Act

"I actually choreographed to this song and cast one dancer as lightning and another as thunder, both completely covered in body paint."

Latest Posts


Courtesy Nichols

I Am a Black Dancer Who Was Dressed Up in Blackface to Perform in La Bayadère

On Instagram this week, Misty Copeland reposted a picture of two Russian ballerinas covered head to toe in black, exposing the Bolshoi's practice of using blackface in the classical ballet La Bayadère. The post has already received over 60,000 likes and 2,000 comments, starting a long overdue conversation.

Comments have been pouring in from every angle imaginable: from history lessons on black face, to people outside of the ballet world expressing disbelief that this happens in 2019, to castigations of Copeland for exposing these young girls to the line of fire for what is ultimately the Bolshoi's costuming choice, to the accusations that the girls—no matter their cultural competence—should have known better.

I am a black dancer, and in 2003, when I was 11 years old, I was dressed up in blackface to perform in the Mariinsky Ballet's production of La Bayadère.

GO DEEPER SHOW LESS

Here's the First Trailer for the "In the Heights" Movie

Lights up on Washington Heights—because the trailer for the movie adaptation of the hit Broadway musical In the Heights has arrived. It's our first look into Lin-Manuel Miranda's latest venture into film—because LMM isn't stopping at three Tony awards, a Grammy award, and an Emmy.

GO DEEPER SHOW LESS
Fabrice Calmels as Othello in Lar Lubovitch's Othello. Cheryl Mann, Courtesy Larisa Elizondo.

Fabrice Calmels Leaves the Joffrey Ballet After Nearly 19 Years

Joffrey Ballet dancer Fabrice Calmels announced Monday that he'll take his final bow with the company after a performance of Nutcracker on December 29.

Born in France, Calmels trained at the Paris Opéra Ballet School before moving to the United States to study at the Rock School, Boston Ballet School and School of American Ballet. In addition to the long list of roles he's danced at the Joffrey, Calmels has worked as a model, and in 2014 won the Guinness World Record as the world's tallest ballet dancer.

We caught up with Calmels to hear about why he's leaving after nearly 19 years, and what his future after the Joffrey will hold.

GO DEEPER SHOW LESS
contest
Enter Our Video Contest