"Even at My Lowest Points, Choosing Not to Dance Has Never Been an Option"
When I was born, the delivery doctor exclaimed to my parents, "You have a dancer on your hands!" I had been a footling breech baby and entertained myself by jumping in utero, until I jumped so hard that I broke my mom's water and was delivered as a C-section. Cut to present day: I wake up each morning, head to the building where I've worked for almost 16 years, strap on my pointe shoes and dance almost seven hours a day as a professional. Yes, every day I choose to dance, but in some ways, it is as if dance actually chose me.
With Paulo Arrais in Jerome Robbins' Glass Pieces
Rosalie O'Connor, Courtesy Boston Ballet
Growing up, I wanted to be that girl who was skilled at sports and could hang with the boys. Alas, that was not the case. I was fast and could run the bases or a soccer field, but when it came to hitting the ball or kicking it into the goal, I would disappoint. Instead, I excelled most when I was dancing. I was the shy girl, able to express herself without words, and dance gave me the opportunity to work and train in something that made me feel whole.
I loved the four walls of the ballet studio. However, ballet is a competitive world, and I attended a highly competitive school. My fellow students and I were all vying for attention and corrections from teachers, and for the same parts. I sometimes felt very alone. But I found solace in class, rehearsals, performing, watching ballet and focusing on being the best I could be.
When, at 16, I was hired by Mikko Nissinen for Boston Ballet II, my love affair with dance sometimes became toxic. Not being chosen for parts because of the way I looked, weight issues, disappointment with reviews and competition with others took a toll on me. Yet, I still pushed forward, finding my comfort in the studio.
As the years passed, I've realized that even at my lowest points, choosing not to dance has never been an option. I know I'm at my absolute best mentally, physically and emotionally when I'm dancing the most. The stage is one of my best friends. Not everyone will like me as a dancer and as a person, and that is okay. I've learned I enjoy passing on my love of the art form to the next generation and inspiring other young Asian dancers. I often hear dancers say, "Dance does not define me." Although dance does not define all of me, it certainly is a big part of what defines me, and I'm not ashamed of that.
If "Fosse/Verdon" whet your appetite for the impeccable Gwen Verdon, then Merely Marvelous: The Dancing Genius of Gwen Verdon is the three-course meal you've been craving. The new documentary—available now on Amazon for rental or purchase—dives into the life of the Tony-winning performer and silver-screen star lauded for her charismatic dancing.
Though she's perhaps most well-known today as Bob Fosse's wife and muse, that's not even half of her story. For starters, she'd already won four Tonys before they wed, making her far more famous in the public eye than he was at that point in his career. That's just one of many surprising details we learned during last night's U.S. premiere of Merely Marvelous. Believe us: You're gonna love her even more once you get to know her. Here are eight lesser-known tidbits to get you started.
Every dancer knows that how you fuel your body affects how you feel in the studio. Of course, while breakfast is no more magical than any other meal (despite the enduring myth that it's the most important one of the day), showing up to class hangry is a recipe for unproductive studio time.
So what do your favorite dancers eat in the morning to set themselves up for a busy rehearsal or performance day?
When it comes to dance in the U.S., companies in the South often find themselves overlooked—sometimes even by the presenters in their own backyard. That's where South Arts comes in. This year, the regional nonprofit launched Momentum, an initiative that will provide professional development, mentorship, touring grants and residencies to five Southern dance companies.
You ever just wish that Kenneth MacMillan's iconic production of Romeo and Juliet could have a beautiful love child with the 1968 film starring Olivia Hussey? (No, not Baz Luhrmann's version. We are purists here.)
Wish granted: Today, the trailer for a new film called Romeo and Juliet: Beyond Words was released, featuring MacMillan's choreography and with what looks like all the cinematic glamour we could ever dream of: