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Lumberjacks, Beavers and Raccoons: Inside NBoC's New Pinocchio

What makes a ballet truly Canadian? Sprinkle in a some lumberjacks, says Will Tuckett. That's just one of the many details we're loving about the brand-new production of Pinocchio that the British choreographer is creating at the National Ballet of Canada. Though it doesn't open until March 11, the company has offered several glimpses into the creative process with an ongoing video series. Check out Episode 2 below, which lets you be a fly on the wall during rehearsal. First soloist Skylar Campbell's movement as Pinocchio isn't what you'd expect to see in a ballet—he's all angles and no flow, but then again he's a puppet. This is one time we actually prefer a dancer's movement to be wooden, at least until he becomes a real boy.

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The Conversation
James Whiteside (Jayme Thornton for Dance Magazine)

Say you're perpetually impeccable designer Thom Browne. Say you're planning your Spring 2020 Paris menswear show along a "Versailles country club" theme. Say you want a world-class danseur to open the show with some kind of appropriately fabulous choreography.

Who do you call? James Whiteside, of course. On Saturday, the American Ballet Theatre principal—wearing pointe shoes and a glorious pinstriped tutu—kicked off Browne's presentation at the École des Beaux-Arts with a 15-minute, show-stealing solo. Whiteside choreographed the piece himself, with the help of detailed notes from the designer.

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Health & Body
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I'd been a professional dancer for five years when I realized the pain I'd been feeling in my hip and down my sciatic nerve was not going away. I had been treating it for two years as we dancers do—with regular visits to my masseuse, physical therapy, baths, ice and lots of Aleve—but I never stopped dancing. It finally dawned on me that if I kept going at the speed I was going (which was, well, speedy), the pain would only get more severe and unrelenting, and I might never dance again.

I told myself I'd take two months off, and all would be better.

That first morning when I woke up at 10 am, I had no idea what to do with myself. My life until that moment had been dictated by class and rehearsal, every hour accounted for. How should I fill the huge swath of time ahead of me?

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