Houston's Laura Gutierrez. Photo by Lynn Lane

Yes, You Can Make Big Work Outside the Big Apple

Working in a smaller city as a choreographer and worried you're not getting the same opportunities you would in the Big Apple? We've been there and we hear you. But what if your little city can contain your choreographic dreams—and make them come true?

Winston-Salem, North Carolina–based Helen Simoneau, who has gained national and international recognition for her choreography, credits much of her success to being based in a smaller city: "You can shape your environment," she says, pointing out that there isn't as much competition for audiences and funding.


So how can you make it work outside of New York City?

Ask for Help

"Identify the people who can help," states Simoneau. Be upfront about what you might need to fund your project, but before asking for money, Simoneau says "it's always good to start with resources that aren't money: What studio space can you get for free or for a favor? What venue might present you?" Once you've nailed down the specifics of where you'll rehearse and who might present you, you can apply for grants or get in touch with local foundations and businesses. In a smaller market, it's a lot easier to make connections—there is less competition for space and funding, and it is often easier to get a meeting with community influencers who might contribute to your project.

Network & Build Your Brand

Laura Gutierrez, photo by Amitava Sarkar

Make connections—and a name for yourself in your city. "Show up to any kind of social event, fundraisers or happy hour events," says Laura Gutierrez, a Houston-based dancer/choreographer. "Go see performances and get to know the dance scene and the people whose work you admire." With a smaller community, it can be easier to strike up a conversation after a performance, get your name out there and make long-lasting impressions.

Consider Long-Distance Dancers

Gutierrez with Szabi Pataki in Relic by Jonah Bokaer, photo by Mike Strong via kcdance.com

If your town isn't home to many professional dancers, don't discount contacts out of town. "The dance world is so small and often you'll find that someone you may have worked with in the past could be able to connect you to someone in the city where you'll be," says Gutierrez, a long-distance dancer for Jonah Bokaer.

Don't Get Stuck in Your Own Little Bubble

Stay educated about what is happening outside of your town. "When you travel, see as much dance as you can, talk to people, be part of the larger dance scene," says Simoneau. "This will give you so much more to bring back to your local community." Not traveling anytime soon? Follow the companies that inspire you on YouTube, Facebook and Instagram.

Grow The Dance Scene

Ivonne Batanero, photo by George Echevarria

If the dance community you crave doesn't exist in your city, work to build it. "Find like-minded people to help create what you think is missing," says Ivonne Batanero, a dancer for Rosie Herrera Dance Theatre in Miami. "Be the instigator, the advocate in your community."

Katie Faulkner, choreographer for little seismic dance company in San Francisco, suggests reaching out to new dancers. "Be welcoming to the new people who move to town. Contribute to a culture of generosity."

Keep Your Eye on The Prize

Albert Drake, photo by Brian Guilliaux

Even if you're in a small market where you can sometimes lose sight of your end goals and bigger dreams, "remind yourself of the caliber you want to be at and keep pushing your limits," suggests Albert Drake, artistic associate of Bruce Wood Dance Project in Dallas. "Think big."

Latest Posts


Getty Images

How Can We Confront Implicit Bias? The Director of Jacob's Pillow Shares Her Ideas

At Jacob's Pillow's June gala, something happened that outraged me: A patron who identifies as black/biracial felt a white man seated behind her touch her tightly coiled hair. When she ignored him, he audibly complained that her hair would block his view of the stage. At dinner, the patron was further subjected to a series of objectifying questions. "What are you?" asked the white woman sitting next to her. Not "who are you," but a dehumanizing "what." "Who was black? Was it your mother or your father? What do your children look like?"

GO DEEPER SHOW LESS
Jodi Melnick and Marc Happel presenting to Sara Mearns. Photo by Christopher Duggan

The Dance Magazine Awards Celebrate Everything We Love About Dance

What a night. The Dance Magazine Awards yesterday at the Ailey Citigroup Theater was jam-packed with love for dance.

From legendary icons to early-career choreographers we can't stop obsessing over, the Dance Magazine Awards, presented by the Dance Media Foundation, recognized a wide spectrum of our field.

And with more performances than ever before, the night was an incredible celebration of the dance community. As host Wendy Perron pointed out, in many ways, we doubled the usual fun this year: Some honorees had two performances, some had two presenters, and David Gordon and Valda Setterfield were themselves, well, two awardees.

GO DEEPER SHOW LESS
Clockwise from top left: Courtesy FX; TAS Rights Management, Courtesy Premium PR; Erin Baiano, Courtesy New York City Ballet; Larry Horrocks, Courtesy Sony Pictures Classics; Angela Sterling, Courtesy Boston Ballet; Courtesy Spotlight Cinema Networks

These Are the Dance Moments Our Readers Loved the Most This Year

We asked for your nominations, compiled your suggestions and let you vote on your favorite dance moments of 2019. Here's what you chose:

GO DEEPER SHOW LESS
contest
Enter Our Video Contest