AXIS Dance Company. Photo by David DeSilva, Courtesy AXIS.

Keep On Turning: New Artistic Director Marc Brew's Big Plans for AXIS Dance Company

Now in its 30th year, AXIS Dance Company, the pioneering physically integrated troupe in Oakland, California, is celebrating with a new artistic director, a new logo and expanded ambitions.


Australia-born Marc Brew, 40, took the helm this spring. A dancer, choreographer and filmmaker, Brew trained at The Australian Ballet School and was a 20-year-old professional dancer when he was paralyzed from the chest down in a car accident. He went on to form the Marc Brew Company and choreograph internationally; he made Full of Words, his well-received first AXIS work, in 2011.

"Marc knows the non-disabled dance world and the disabled dance world," says AXIS co-founder Judith Smith, who served as artistic director since 1997 and will continue in a new role as director, focusing on development and national advocacy. "Those qualities don't come along in a package very often, especially at the artistic level that Marc operates at."

Marc Brew. Photo by Ruth Mills, Courtesy AXIS.

Expanding artists' horizons is among Brew's top priorities. "Historically, disabled dancers came into dance through improvisation and contact work, because it wasn't about having to make specific shapes or techniques from an able-bodied version," he explains. "But disabled dancers want to learn what is ballet terminology, what is Cunningham terminology, and how does it apply to my body?" Brew also hopes to put AXIS on the international map with a possible 2018 UK tour and a collaboration with Australia's Expressions Dance Company.

Along with creating and commissioning original works, going forward AXIS will spearhead more public outreach and training for disabled dancers, choreographers and teachers. And after an October 26–29 home season in Oakland, the company will make its way to New York City for a November residency at Gibney Dance, which includes a choreography intensive, master classes, town halls, teacher workshops and a performance series.

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Courtesy Ava Noble

Go Behind the Scenes of USC Kaufman’s Virtual Dance Festival

Now more than ever, the students of USC Glorya Kaufman School of Dance are embodying their program's vision: "The New Movement."

As the coronavirus pandemic stretches on, the dance world continues to be faced with unprecedented challenges, but USC Kaufman's faculty and BFA students haven't shied away from them. While many schools have had to cancel events or scale them back to live-from-my-living-room streams, USC Kaufman has embraced the situation and taken on impressive endeavors, like expanding its online recruitment efforts.

November 1 to 13, USC Kaufman will present A/Part To/Gather, a virtual festival featuring world premieres from esteemed faculty and guest choreographers, student dance films and much more. All semester long, they've rehearsed via Zoom from their respective student apartments or hometowns. And they haven't solely been dancing. "You have a rehearsal process, and then a filming process, and a production process of putting it together," says assistant professor of practice Jennifer McQuiston Lott of the prerecorded and professionally edited festival.

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