6 March Performance Picks From Our Editors
A feast of Forsythe, a surfeit of Dorrance Dance, a challenge to how we perceive refugees. Our editors' performance picks this month run the gamut.
Boston's Mixtape Master
BOSTON Halfway into his five-year partnership with Boston Ballet, William Forsythe is gifting East Coast audiences with his first new work for an American company since 1992. Playlist (EP) expands on ideas from Playlist (Track 1, 2), a short work he created for English National Ballet last spring. Also on Boston Ballet's Full on Forsythe program: the U.S. premiere of Blake Works I, the 2016 debut of which was hailed by The New York Times as "a moment as important as the premiere of Mr. Forsythe's 'In the Middle, Somewhat Elevated,' " and a reprisal of his Pas/Parts 2018. March 7–17. bostonballet.org. —Courtney Escoyne
Fleeing Made Visible
Zahra Saleki, Courtesy Jaberi Dance Theatre
PETERBOROUGH AND TORONTO We hear about the growing number of refugees, but most of us do not see them or the lives they lead. Iranian-Canadian choreographer Roshanak Jaberi and her Toronto-based interdisciplinary group Jaberi Dance Theatre delve into refugee women's lives in No Woman's Land, showing us their hardships and their strengths. March 9–10, Market Hall Theatre in Peterborough; March 14–16, Harbourfront Centre Theatre in Toronto. jaberidt.com. —Wendy Perron
Two By Eight
Regina Brocke, Courtesy Freie PR
STUTTGART What's a company to do if it wants to commission eight new works, but the choreographers are too busy to come to the company? Gauthier Dance's answer: Send the dancers to the dancemakers. Nacho Duato, Marco Goecke, Mauro Bigonzetti, Richard Siegal, Rui Horta, Ed Wubbe, Roni Haver and Guy Weizman, and Barak Marshall all contributed new pas de deux to Deuces. After being created all over Europe, the program comes together at Gauthier Dance's home, Theaterhaus Stuttgart, March 16–24. theaterhaus.com. —CE
Queering the Kingdom
The NWA Project in Oba Qween Baba King Baba, Excerpt #1
Ian Douglas, Courtesy Danspace Project
NEW YORK CITY Gender nonconforming dancemaker Ni'Ja Whitson's Oba Qween Baba King Baba interrogates masculinity and how it impacts our perception of religion. This interdisciplinary work takes inspiration from the stories of queer and transgender children of preachers. On March 23, Danspace Project will host a free preview of the work for self-identified queer and transgender people of color. March 28–30. danspaceproject.org. —CE
A Match Made in Heaven
Mearns in a Bergasse-choreographed piece at Fire Island Dance Festival
Whitney Browne, Courtesy KPM Associates
NEW YORK CITY When Vera Zorina starred in the original 1938 production of I Married an Angel—Rodgers and Hart's musical comedy about a wealthy banker who weds a guileless angel—the choreography was handled by none other than her then-husband George Balanchine. Who better, then, to headline and choreograph New York City Center's revival than newlywed super couple Sara Mearns and Joshua Bergasse? March 20–24. nycitycenter.org. —CE
A Heaping Dose of Dorrance Dance
Dorrance Dance in Michelle Dorrance's Jungle Blues
Dana Lynn Pleasant, Courtesy New York City Center
NEW YORK CITY A surfeit of Dorrance Dance is coming our way, with three programs at New York City Center. Michelle Dorrance's innovative works, old and new, will be interspersed with contributions from guest artists. Master tap dancer Brenda Bufalino brings her jazzy Jump Monk. A premiere by America's greatest tapping clown, Bill Irwin, is bound to be the most fun Harlequin & Pantalone you've ever seen. March 28–30. nycitycenter.org. —WP
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- Dorrance Dance | New York City Center ›
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- Ni'Ja Whitson | The NWA Project: Oba Qween Baba King Baba ... ›
- Gauthier Dance - Theaterhaus Stuttgart ›
- Jaberi Dance Theatre - No Woman's Land ›
- Jaberi Dance Theatre | Homepage ›
- William Forsythe: 'Isn't Ballet Delightful?' - The New York Times ›
- Boston Ballet - Full on Forsythe ›
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If "Fosse/Verdon" whet your appetite for the impeccable Gwen Verdon, then Merely Marvelous: The Dancing Genius of Gwen Verdon is the three-course meal you've been craving. The new documentary—available now on Amazon for rental or purchase—dives into the life of the Tony-winning performer and silver-screen star lauded for her charismatic dancing.
Though she's perhaps most well-known today as Bob Fosse's wife and muse, that's not even half of her story. For starters, she'd already won four Tonys before they wed, making her far more famous in the public eye than he was at that point in his career. That's just one of many surprising details we learned during last night's U.S. premiere of Merely Marvelous. Believe us: You're gonna love her even more once you get to know her. Here are eight lesser-known tidbits to get you started.
Every dancer knows that how you fuel your body affects how you feel in the studio. Of course, while breakfast is no more magical than any other meal (despite the enduring myth that it's the most important one of the day), showing up to class hangry is a recipe for unproductive studio time.
So what do your favorite dancers eat in the morning to set themselves up for a busy rehearsal or performance day?
When it comes to dance in the U.S., companies in the South often find themselves overlooked—sometimes even by the presenters in their own backyard. That's where South Arts comes in. This year, the regional nonprofit launched Momentum, an initiative that will provide professional development, mentorship, touring grants and residencies to five Southern dance companies.
You ever just wish that Kenneth MacMillan's iconic production of Romeo and Juliet could have a beautiful love child with the 1968 film starring Olivia Hussey? (No, not Baz Luhrmann's version. We are purists here.)
Wish granted: Today, the trailer for a new film called Romeo and Juliet: Beyond Words was released, featuring MacMillan's choreography and with what looks like all the cinematic glamour we could ever dream of: