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6 March Performance Picks From Our Editors

Boston Ballet in Forsythe's Pas/Parts 2018. Photo by Rosalie O'Connor, Courtesy Boston Ballet

A feast of Forsythe, a surfeit of Dorrance Dance, a challenge to how we perceive refugees. Our editors' performance picks this month run the gamut.


Boston's Mixtape Master

BOSTON Halfway into his five-year partnership with Boston Ballet, William Forsythe is gifting East Coast audiences with his first new work for an American company since 1992. Playlist (EP) expands on ideas from Playlist (Track 1, 2), a short work he created for English National Ballet last spring. Also on Boston Ballet's Full on Forsythe program: the U.S. premiere of Blake Works I, the 2016 debut of which was hailed by The New York Times as "a moment as important as the premiere of Mr. Forsythe's 'In the Middle, Somewhat Elevated,' " and a reprisal of his Pas/Parts 2018. March 7–17. bostonballet.org. —Courtney Escoyne

Fleeing Made Visible

Zahra Saleki, Courtesy Jaberi Dance Theatre

PETERBOROUGH AND TORONTO We hear about the growing number of refugees, but most of us do not see them or the lives they lead. Iranian-Canadian choreographer Roshanak Jaberi and her Toronto-based interdisciplinary group Jaberi Dance Theatre delve into refugee women's lives in No Woman's Land, showing us their hardships and their strengths. March 9–10, Market Hall Theatre in Peterborough; March 14–16, Harbourfront Centre Theatre in Toronto. jaberidt.com. —Wendy Perron

Two By Eight

Regina Brocke, Courtesy Freie PR

STUTTGART What's a company to do if it wants to commission eight new works, but the choreographers are too busy to come to the company? Gauthier Dance's answer: Send the dancers to the dancemakers. Nacho Duato, Marco Goecke, Mauro Bigonzetti, Richard Siegal, Rui Horta, Ed Wubbe, Roni Haver and Guy Weizman, and Barak Marshall all contributed new pas de deux to Deuces. After being created all over Europe, the program comes together at Gauthier Dance's home, Theaterhaus Stuttgart, March 16–24. theaterhaus.com. —CE

Queering the Kingdom

The NWA Project in Oba Qween Baba King Baba, Excerpt #1

Ian Douglas, Courtesy Danspace Project

NEW YORK CITY Gender nonconforming dancemaker Ni'Ja Whitson's Oba Qween Baba King Baba interrogates masculinity and how it impacts our perception of religion. This interdisciplinary work takes inspiration from the stories of queer and transgender children of preachers. On March 23, Danspace Project will host a free preview of the work for self-identified queer and transgender people of color. March 28–30. danspaceproject.org. —CE

A Match Made in Heaven

Mearns in a Bergasse-choreographed piece at Fire Island Dance Festival

Whitney Browne, Courtesy KPM Associates

NEW YORK CITY When Vera Zorina starred in the original 1938 production of I Married an Angel—Rodgers and Hart's musical comedy about a wealthy banker who weds a guileless angel—the choreography was handled by none other than her then-husband George Balanchine. Who better, then, to headline and choreograph New York City Center's revival than newlywed super couple Sara Mearns and Joshua Bergasse? March 20–24. nycitycenter.org. —CE

A Heaping Dose of Dorrance Dance

Dorrance Dance in Michelle Dorrance's Jungle Blues

Dana Lynn Pleasant, Courtesy New York City Center

NEW YORK CITY A surfeit of Dorrance Dance is coming our way, with three programs at New York City Center. Michelle Dorrance's innovative works, old and new, will be interspersed with contributions from guest artists. Master tap dancer Brenda Bufalino brings her jazzy Jump Monk. A premiere by America's greatest tapping clown, Bill Irwin, is bound to be the most fun Harlequin & Pantalone you've ever seen. March 28–30. nycitycenter.org. —WP

Day in the Life

Most people may know Derek Dunn for his impeccable turns and alluring onstage charisma. But the Boston Ballet principal dancer is just as charming offstage, whether he's playing with his 3-year-old miniature labradoodle or working in the studio. Dance Magazine recently spent the day with Dunn as he prepared for his debut as Albrecht in the company's upcoming run of Giselle.

Dance Training
Rosalie O'Connor, Courtesy Mark Morris Dance Group

You know compelling musicality when you see it. But how do you cultivate it? It's not as elusive as it might seem. Musicality, like any facet of dance, can be developed and honed over time—with dedicated, detailed practice. At its most fundamental, it's "respect for the music, that this is your partner," says Kate Linsley, academy principal of the School of Nashville Ballet.

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The USC Kaufman graduating class with Mikhail Baryshnikov. Gus Ruelas/USC

Just four years ago, the University of Southern California's Glorya Kaufman School of Dance welcomed its first class of BFA students. The program—which boasts world-class faculty and a revolutionary approach to training focused on collaboration and hybridity—immediately established itself as one of the country's most prestigious and most innovative.

Now, the first graduating class is entering the dance field. Here, six of the 33 graduates share what they're doing post-grad, what made their experience at USC Kaufman so meaningful and how it prepared them for their next steps:

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In Memoriam
Ross Parkes, right, teaching in Shanghai in 1983. Lan-Lan Wang is at left. Courtesy Lan-Lan Wang.

Notable dancer and beloved teacher, Ross Parkes, 79, passed away on August 5, 2019 in New York City. He was a founding faculty member at Taipei National University of the Arts in Taiwan, where he taught from 1984 to 2006. Lin Hwai-min, artistic director of Cloud Gate Dance Theater, said: "He nurtured two generations of dancers in Taiwan, and his legacy will continue."

About his dancing, Tonia Shimin, professor emerita at UC Santa Barbara and producer of Mary Anthony: A Life in Modern Dance, said this: "He was an exquisite, eloquent dancer who inhabited his roles completely."

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