Eight Threatening Illnesses Weren't Enough to Stop Choreographer Marinda Davis
When Marinda Davis was named second runner-up at the 2015 Capezio A.C.E. Awards, she dove headfirst into choreographing and producing a full-length show for her company, marInspired; the storytellers. But as her career was booming, Davis' body was breaking down. Behind the scenes, she was dealing with eight very serious illnesses, one of which led to a months-long hospital stay. Now, as she prepares a piece for Giordano Dance Chicago (debuting in March), Davis reflects on how she's powered through it all.
In addition to leading a company, you've also choreographed for "Dancing With the Stars," and your dancers just competed on "World of Dance." But what don't most people see?
I was adopted, so growing up, I didn't have any idea of my family history. I got sick a lot as an infant, and when I was 4, every time I stood up, I would completely lose my vision. I would faint a lot, and we just couldn't get answers. Eventually doctors recommended I see a psychologist.
It wasn't until I was 28 that a team of specialists at Cedars-Sinai Medical Center started making diagnoses. The first thing they found was Hashimoto's disease, which is a thyroid autoimmune disease. Between the ages of 28 and 31—I'm 34 now—they gave me seven additional diagnoses, including lupus, Cushing's disease and mastocytosis. Some are genetic, and most are autoimmune. Once I got those diagnoses, it was this weird feeling of being validated. Then came this horrific realization of what each disease entailed.
How do you treat eight different diseases?
I'm on 25 different medications a day, and every single one comes with about 40 side effects. Mornings are particularly hard. And every four weeks, I'm in L.A. for chemotherapy treatment for the lupus, which completely knocks me out for about five days. I'm throwing up, I have a lot of bone pain, and I can't push through that.
How did these diseases affect your dancing?
Dance was always such an outlet for me, and I was able to pour so much of my frustration into my dancing. But as I struggled with my health, I started losing my facility and was constantly injured or dealing with surgeries. That's when I shifted to choreographing, and my career took off.
"Anything is possible as long as you're willing to take a different route." Photo by Louise Flores, Courtesy Davis
One of your diseases—vascular Ehlers-Danlos syndrome—is not only extremely rare, but also life-threatening.
Eighty-five percent of people with type four Ehlers-Danlos don't live to be 40. I'm 34. While I hope to shatter those statistics, it's in my head every day. My aorta could rupture anytime. So that saying about living every moment to its fullest because it might be your last? That's very relevant.
You were at your sickest when you did your 2016 show, UNbreakable, with your prize from the A.C.E. Awards.
Everybody told me not to do it. Looking back, it was insane that I did. But I had a story to tell, and I had this company of dancers I loved and believed in. I think it actually kept me alive. It kept me fighting for something and gave me a purpose.
What can we expect from the piece you're creating for the Giordano company?
My work tends to straddle the contemporary concert and commercial worlds. It's been a lot of commercial lately, which means I'm cramming everything into 1 minute and 15 seconds. Actually getting 15 to 20 minutes is so exciting!
Any advice for dancers facing scary, serious setbacks like the ones you go through every day?
Where there is a will, there really is a way. Maybe your intended path was straight up over the mountain, but that's not going to work, so find a different way. Anything is possible as long as you're willing to take a different route.
- marInspired ; the storytellers. - Home | Facebook ›
- Meet marInspired from NBC World of Dance Season 2 ›
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- Marinda Davis' journey with vascular Ehlers-Danlos syndrome ... ›
- Marinda Davis Faculty Bio | Broadway Dance Center ›
- Nothing Can Stop Contemporary Choreographer Marinda Davis ... ›
Summer is almost upon us, and whether you're a student about to go on break or a pro counting the days till layoff, don't forget that with warm weather comes a very serious responsibility: To maintain your cross-training routine on your own.
Those of us who've tried to craft our own cross-training routine know it's easier said than done. So we consulted the stars, and rounded up the best options for every zodiac sign. (TBH, you should probably consult an expert, too—we'd recommend a physical therapist, a personal trainer or your teacher.)
The way we create and consume dance is changing every day. Now more than ever, the field demands that dancers not only be able to perform at the highest level, but also collaborate with choreographers to bring their artistic visions to life. Dancers who miss out on choreographic training may very well find themselves at a disadvantage as they try to launch their careers.
It's become second nature in dance studios: The instant anyone gets hurt, our immediate reaction is to run to the freezer to grab some ice (or, more realistically, a package of frozen peas).
But as routine as icing our injuries might be, the benefits are not actually backed up by scientific studies. And some experts now believe icing could even disrupt the healing process.
I'm a contemporary dancer, and I'm nervous about trying to get pregnant since I can't predict if it might happen during the middle of the season. We have a union contract that is supposed to protect us. But I'm scared because several of my colleagues' contracts weren't renewed for no particular reason. Having a big belly could be a big reason to get rid of me!
—Andrea, New York, NY
It's not often that a promising choreographer gets to stage work in a world-class theater, on a skillfully-curated program with professional dancers, and with the possibility of winning a substantial cash prize. But at the McCallum Theatre's Palm Desert Choreography Festival, that's been the status quo for over twenty years.
Since Shea New, the festival's artistic director, founded the festival in 1998, she's worked tirelessly with McCallum's director of education and festival producer, Kajsa Thuresson-Frary, and stage manager and festival production manager Joanna Fookes to build a festival that nurtures choreographers, highlights high quality work, powerfully engages the local community and cultivates an audience base for dance in the Coachella Valley. The trio is backed by a strong team of professionals at McCallum and the brilliant volunteers from the local and national level who serve as adjudicators.
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When the going gets tough, the tough start dancing: That's the premise behind "Dance of Urgency," a recently opened exhibit at MuseumsQuartier Vienna that features photos, video and other documentary material relating to the use of dance as political protest or social uprising.
The groups featured in the show, largely based around clubs and electronic dance music scenes, span the globe and respond to a variety of issues—from inequality and social stratification to racial divides to crackdowns on club culture itself.
Last night, longtime theater legends (including Chita Rivera herself!) as well as rising stars gathered to celebrate one of Broadway's danciest events: the third annual Chita Rivera Awards.
The evening paid tribute to this season's dancer standouts, fabulous ensembles, and jaw-dropping choreography—on- and off-Broadway and on film.
As usual, several of our faves made it into the mix. (With such a fabulous talent pool of nominees to choose from, we're glad that ties were allowed.) Here are the highlights from the winner's list:
When you're a foreign dancer, gaining legal rights to work in the U.S. is a challenging process. It's especially difficult if you're petitioning to work as a freelance dancer without an agent or company sponsorship.
The process requires professional muscle along with plenty of resources and heart. "There's a real misnomer that it's super easy," says Neena Dutta, immigration attorney and president of Dutta Law Firm. "People need to educate themselves and talk to a professional."
Here are four things every foreign dancer who wants to work in the U.S. needs to know to build a freelance dance career here.
What does it take to "make it" in dance? It's no secret that turning this passion into a profession can be a struggle. In such a competitive field, talent alone isn't enough to get you where you want to be.
So what kinds of steps can you take to become successful? Dance Magazine spoke to 33 people from all corners of the industry to get their advice on the lessons that could help us all, no matter where we are in our careers.
On May 18, 1919, Margot "Peggy" Hookham was born. She would grow up to become Dame Margot Fonteyn, England's first homegrown prima ballerina. She joined the Sadler's Wells School in 1934 and was performing principal roles with the precursor to The Royal Ballet the next year. Fonteyn was a company-defining figure, dancing Aurora for the re-opening of the Royal Opera House after World War II, creating numerous roles with Sir Frederick Ashton and forging a legendary partnership with Rudolf Nureyev.
Memorial Day is notoriously one of Chicago's bloodiest weekends. Last year, 36 people were shot and seven died that weekend. In 2017 and 2016, the number of shootings was even higher.
When Garley "GiGi Tonyé" Briggs, a dance teacher and Chicago native, started noticing this pattern, she was preparing her second annual Memorial Day workshop for local youth.
The event's original aim was simple: "I wanted the youth of Chicago to have somewhere they could come and learn from different dancers and be off the streets on the South Side on this hot holiday," she says.
A recent trip I took to Nashville coincided with the NFL draft. As we drove into town, my Uber driver was a fount of information on the subject.
I learned that there are 32 NFL teams and that the draft takes place over seven rounds. That the team that did the poorest during the previous season gets first pick. That during an earlier event called the scouting combine, the teams assess college football players and figure out who they want.
There is also the veteran combine for "free agents"—players who have been released from their contracts or whose contracts have expired. They might be very good players, but their team needs younger members or ones with a certain skill set. All year round, experienced NFL scouts scan games across the country, checking out players and feeding that information back to the teams. Players' agents keep their eyes on opportunities for their clients which might be more rewarding.
While I sat in the traffic of 600,000 NFL fans I got thinking, is there something ballet could learn from football? Could a draft system improve young dancers' prospects and overall company caliber and contentment?
Despite what you might think, there's no reason for dancers to be afraid of bread.
"It's looked at as this evil food," says New York State–certified dietitian and former dancer Tiffany Mendell. But the truth is, unless you have celiac disease or a gluten intolerance, bread can be a healthy source of carbohydrates—our body's preferred fuel—plus fiber and vitamins.
The key is choosing your loaf wisely.