Michaela DePrince Is the Newest Face of Jockey
Michaela DePrince is having one spectacular year. On New Year's Day, the Dutch National Ballet dancer was promoted to soloist. And yesterday, she scored a major endorsement as a face of Jockey's "Show 'Em What's Underneath" campaign. We've said it before: There's a right way and a wrong way to feature dancers in mainstream media. This campaign hits the mark by celebrating DePrince's grace, athleticism and story of hope.
If you need a refresher on her remarkable journey—from war orphan in Sierra Leone to being adopted and launching her ballet career—check out Jockey's video below.
DePrince's path has an uncanny connection to Dance Magazine. As a young child, she found the May 1979 cover of DM outside her orphanage. Mesmerized by the image of Pennsylvania Ballet's Magali Messac, she kept the treasured cover hidden in her panties, dreaming of becoming a dancer herself. After she was adopted, DePrince began training at The Rock School for Dance Education in Philadelphia. The rest is history.
@michaeladeprince with the May 1979 issue of Dance Magazine that first inspired her to pursue ballet. We caught up with her in NYC to celebrate her latest achievement: becoming an ambassador for Jockey! #inspiration #vintagedancemag #jockey #showemhope
A post shared by dancemagazine (@dancemagazine) on Apr 26, 2017 at 4:28pm PDT
Congratulations to DePrince on this milestone in her career!
There's always been something larger than life about choreographer Mark Morris. Of course, there are the more than 150 works he's made and that incisive musicality that makes dance critics drool. But there's also his idiosyncratic, no-apologies-offered personality, and his biting, no-holds-barred wit. And, well, his plan to keep debuting new dances even after he's dead.
So it should come as little surprise that his latest distinction is also a bit larger than life: The New York Landmarks Conservancy is adding Morris to its list of "Living Landmarks."
"The show must go on" may be a platitude we use to get through everything from costume malfunctions to stormy moods. But when it came to overcoming a literal hurricane, Houston Ballet was buoyed by this mantra to go from devastated to dancing in a matter of weeks—with the help of Harlequin Floors, Houston Ballet's longstanding partner who sprang into action to build new floors in record time.
Paul Taylor's Post Meridian was last performed 30 years ago, which is well before any of the company's current dancers joined Paul Taylor Dance Company. In fact, it's before some of the dancers were even born. Every step and extreme angle of the body in the dream-like world of the 1965 work will be fine-tuned in the studio for PTDC's upcoming Lincoln Center season. However, the Taylor archive is where Post Meridian began for Eran Bugge.
Philadelphia's Pew Center for Arts & Heritage announced its 2019 grantees Monday evening, and the list included a couple of familiar names: Dinita Clark and David Gordon.