Celebrate the Anniversary of Mikhail Baryshnikov's ABT Debut With Rarely-Seen Archival Photos
On July 27, 1974, Mikhail Baryshnikov made his American Ballet Theatre debut, dancing opposite fellow expatriate Natalia Makarova in Giselle mere weeks after his defection from the Soviet Union. The then-26-year-old caused a sensation, with Dance Magazine contributor Olga Maynard observing in her review, "If Baryshnikov exerts his good influences on ballet in the West we shall owe him a debt of gratitude."
It proved to be a prescient remark: "Misha" had a triumphant performing career with both ABT (which he directed from 1980–89) and New York City Ballet, successfully crossed over to Hollywood (picking up an Oscar nomination for The Turning Point and bringing his inimitable charm to "Sex and the City") and has so far appeared on the cover of DM a record 14 times. He permeated the American public consciousness to an unprecedented degree for a ballet dancer, but when we spoke to him in 1974, his goals were far more humble: "I will hope that choreographers in the West will be interested in me as a dancer, enough to want to make ballets for me."
Makarova and Baryshnikov in Act II of Giselle, during his 1974 ABT debut
Louis Peres, Courtesy DM Archives
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What do Percy Jackson, Princess Diana and Tina Turner have in common? They're all characters on Broadway this season. Throw in Michelle Dorrance's choreographic debut, Henry VIII's six diva-licious wives and the 1990s angst of Alanis Morissette, and the 2019–20 season is shaping up to be an exciting mix of past-meets-pop-culture-present.
Here's a look at the musicals hitting Broadway in the coming months. We're biding our time until opening night!
If you think becoming a trainee or apprentice is the only path to gaining experience in a dance company environment, think again.
The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
Ah, stretching. It seems so simple, and is yet so complicated.
For example: You don't want to overstretch, but you're not going to see results if you don't stretch enough. You want to focus on areas where you're tight, but you also can't neglect other areas or else you'll be imbalanced. You were taught to hold static stretches growing up, but now everyone is telling you never to hold a stretch longer than a few seconds?
Considering how important stretching correctly is for dancers, it's easy to get confused or overwhelmed. So we came up with 10 common stretching scenarios, and gave you the expert low-down.