ICYMI, the Moulin Rouge! Musical Now Has a Choreographer (And She's Going to be Spectacular)
Ever since it was announced that Baz Luhrmann's spectacular (spectacular!) movie musical Moulin Rouge! would be adapted for the stage, we've been cautiously excited. The 2001 film feels like a natural fit for Broadway, what with its genre-bending soundtrack stocked with absurdly catchy mash-ups, decadent costumes and sets, epic production numbers and show-within-a-show premise. Not to mention the romance. (Come on, who didn't fall in love with Ewan McGregor watching this movie?)
We're still in early days—the Alex Timbers–directed musical is scheduled for a lab presentation at the end of this month. But thanks to some news that broke last week (while we were all pretty distracted by World Ballet Day), we're moving past cautious excitement and into high-key freaking out quicker than Satine can purr "Diamonds are a girl's best friend."
Tayeh is a household name thanks to her hard-hitting short routines for "So You Think You Can Dance?" that encompass a surprisingly broad swath of emotions, but she's also got some solid compositional chops. (She premiered her first evening-length work at New York Live Arts last December.) Not to mention that she moved to New York a few years back specifically to break into choreographing for theater. Honestly, we can't think of anyone we'd rather see translate the over-the-top numbers from the movie onto the stage.
Posting about the news on Twitter, Tayeh simply said, "DREAMS REALLY DO COME TRUE!!" If all goes well and this musical gets a Broadway opening (no word yet as to when that might be), we're going to have to agree.
What do Percy Jackson, Princess Diana and Tina Turner have in common? They're all characters on Broadway this season. Throw in Michelle Dorrance's choreographic debut, Henry VIII's six diva-licious wives and the 1990s angst of Alanis Morissette, and the 2019–20 season is shaping up to be an exciting mix of past-meets-pop-culture-present.
Here's a look at the musicals hitting Broadway in the coming months. We're biding our time until opening night!
If you think becoming a trainee or apprentice is the only path to gaining experience in a dance company environment, think again.
The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
Ah, stretching. It seems so simple, and is yet so complicated.
For example: You don't want to overstretch, but you're not going to see results if you don't stretch enough. You want to focus on areas where you're tight, but you also can't neglect other areas or else you'll be imbalanced. You were taught to hold static stretches growing up, but now everyone is telling you never to hold a stretch longer than a few seconds?
Considering how important stretching correctly is for dancers, it's easy to get confused or overwhelmed. So we came up with 10 common stretching scenarios, and gave you the expert low-down.