Natalie Gilmore Shares Her Stage Makeup Must-Haves & Life on the Road With Justin Timberlake's Man of the Woods Tour
Natalie Gilmore (center) with the Man of the Woods tour dancers. Mark Nguyen, courtesy of Gilmore.
With limited space for luggage on the tour bus, Justin Timberlake dancer Natalie Gilmore makes sure her beauty routine can pull double duty. "Most of the stuff I use day to day I also use onstage," she says, adding that the dancers do their own hair and makeup for every show. "They give us a lot of freedom to use what we want, and I really enjoy getting to play with new products and experiment with different looks." That same freedom she has with her look carries over into her performance. "There's a lot of freestyle in the show," Gilmore says. "We have certain places we need to be, but we're able to map out how we want things to flow—I have a lot of fun with it."
Gilmore's day-of-show routine is fairly consistent no matter what look she's trying (or what country she's in). "When we get to the venue, I'll do some prep on my face before going to sound check," she says. "I like to do some kind of warm-up an hour and a half before the show to get my blood going and my mind working, but I like it to flow with how I feel. If I want an extra push, I'll do an ab workout, or I'll focus on stretching if I'm feeling tired that day."
2) Kat Von D Tattoo Liner in Trooper Black, $20 "It has a felt tip that makes it easy to get a straight line without too many mess-ups. Usually, I'll do a bit of a wing to open up the eye, and then I use a regular pencil liner on the waterline."
3) Tarte Maracuja C-Brighter Eye Treatment, $38 "I'm quite simple when it comes to skin care. I wash my face after every show, use an SPF moisturizer, and I use this eye cream morning and night to brighten dark circles."
Devon Teuscher performing the titular role in Jane Eyre. Photo by Gene Schiavone, Courtesy ABT
Story ballets that debut during American Ballet Theatre's spring season at the Metropolitan Opera House are always the subject of much curiosity—and, sometimes, much debate. Cathy Marston's Jane Eyre was no different. The ballet follows the eponymous heroine of Charlotte Brönte's novel as she grows from a willful orphan to a self-possessed governess, charting her romance with the haughty Mr. Rochester and the social forces that threaten to tear them apart.
While the ballet was warmly received in the UK when Northern Ballet premiered it in 2016, its reception from New York City–based critics has been far less welcoming. A group of editors from Dance Magazine and two of our sister publications, Dance Spirit and Pointe, sat down to discuss our own reactions.