NCI: A Win-Win Situation
For the past 11 summers, emerging choreographers and dancers from across the country have gathered in southern California for the National Choreographer’s Initiative. And the benefits are two-fold: Dancers on their summer break receive engaging, process-oriented work, while the four selected dancemakers receive creative freedom, valuable studio time and highly-trained artists to work with.
Starting Monday, this year’s chosen choreographers—Gabrielle Lamb, Barry Kerollis, Garrett Smith and Philip Neal—have three weeks at the University of California, Irvine dance studios to create a new work. The dancers (eight men and eight women) are an eclectic mix, hailing from Sacramento Ballet, Ballet Austin, Los Angeles Ballet, Ballet Met, Richmond Ballet, Texas Ballet Theatre, Nashville Ballet, Company “C” Contemporary Ballet and Festival Ballet Theatre. The project culminates in a performance at the Irvine Barclay Theatre on July 26th.
As an added benefit, Lamb, Kerollis, Smith and Neal will retain the right to promote and license their works to other companies. This is very good news, indeed—since 2004, NCI has produced 44 new works, 23 of which have entered company repertoires throughout the U.S.
What do Percy Jackson, Princess Diana and Tina Turner have in common? They're all characters on Broadway this season. Throw in Michelle Dorrance's choreographic debut, Henry VIII's six diva-licious wives and the 1990s angst of Alanis Morissette, and the 2019–20 season is shaping up to be an exciting mix of past-meets-pop-culture-present.
Here's a look at the musicals hitting Broadway in the coming months. We're biding our time until opening night!
If you think becoming a trainee or apprentice is the only path to gaining experience in a dance company environment, think again.
The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
Ah, stretching. It seems so simple, and is yet so complicated.
For example: You don't want to overstretch, but you're not going to see results if you don't stretch enough. You want to focus on areas where you're tight, but you also can't neglect other areas or else you'll be imbalanced. You were taught to hold static stretches growing up, but now everyone is telling you never to hold a stretch longer than a few seconds?
Considering how important stretching correctly is for dancers, it's easy to get confused or overwhelmed. So we came up with 10 common stretching scenarios, and gave you the expert low-down.