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6 Toe Pads That Are Serious Pointe Shoe Game-Changers
Finding the right pointe shoe is hard enough. But as any serious ballet dancer can tell you, it's only half the battle. The padding you pair with your pointe shoes plays a big role in your ability to stay on your toes pain-free (or close to it) through classes and rehearsals. When Second Skin squares alone won't cut it, there's a new generation of toe pads to provide relief.
Photo by Nathan Sayers
Chances are you've seen these pads (and the telltale blue putty that comes with them) on your Instagram feed. The completely genius PerfectFit inserts are actually customized molds that fill any spaces between your toes and your shoe vamp, and help reduce pressure on commonly irritated spots like bunions. Though they've only been around for a few years, PerfectFit pads have already gained a huge pro following, including New York City Ballet's Sara Mearns, Royal Danish Ballet's Holly Dorger and Los Angeles Ballet's Bianca Bulle.
These tiny pink dots can be used on their own or in addition to your usual padding. Created to reduce irritation and blisters, the dots are made from hydrogel, which has a cooling effect on the skin and is actually popular in the medical field for its ability to serve as a hydrating barrier to wounds. You can buy 'em in bulk with their 90 piece jar, or test them out with their 20 piece packets (perfect for storing in your dance bag, by the way).
The first ever toe pads specifically designed for dancers with longer toes (or bunions that need a little extra protection), Gellows' have extended sides that can be cut to perfectly fit your foot. Though they're made with a layer of gel between two layers of seamless sock material, they're still thin enough to let you feel the floor.
If it's your pinky toes that seem to take the brunt of your pointe work, consider these conical-shaped pads. Designed to slide right over your pinky toe (or really, any of your smaller toes), the polymer gel pad helps prevent blisters and corns.
Eurotard's thinnest (and sparkliest!) toe pads, the Fashion Lites also include ventilated holes throughout to let your toes breathe. The flexible material stretches to cover your toes and bunions, and can be trimmed for a customized fit.
These colorful minis are designed to sit perfectly in the platform of your shoe, helping to absorb the shock of impact while you dance. Made of hypoallergenic medical-grade silicone, the flexible pads come in three sizes (small in pink, medium in light blue and large in white) to correspond to your pointe shoe size.
New York City Ballet is celebrating the Jerome Robbins Centennial with twenty (20!) ballets. The great American choreographer died in 1998, so very few of today's dancers have actually worked with him. There are plenty of stories about how demanding (at times brutally so) he could be in rehearsal. But Peter Boal has written about Robbins in a more balanced, loving way. In this post he writes about how Robbins' crystal clear imagery helped him approach a role with clarity and purpose.
Who says you need fancy equipment to make a festival-worthy dance film? Right now, two New York City–based dance film festivals are calling for aspiring filmmakers to show their stuff—and you don't need anything more cumbersome than a smartphone to get in on the action.
Here's everything you need to know about how to submit:
On the occasion of its 70th anniversary, the Ballet Nacional de Cuba tours the U.S. this spring with the resolute Cuban prima ballerina assoluta Alicia Alonso a the helm. Named a National Hero of Labor in Cuba, Alonso, 97, has weathered strained international relations and devastating fiscal challenges to have BNC emerge as a world-class dance company. Her dancers are some of ballet's best. On offer this time are Alonso's Giselle and Don Quixote. The profoundly Cuban company performs in Chicago May 18–20, Tampa May 23, Washington, D.C., May 29–June 3 and Saratoga, New York June 6–8.
We all know that the general population's knowledge of ballet is sometimes...a bit skewed. (See: people touching their fingertips to the top of their head, and Kendall Jenner hopping around at the barre.)
Would your average Joe know how to do ballet's most basic step: a plié? Or, more to the point, even know what it is?
SELF decided to find out.
When Lisset Santander bourréed onstage as Myrtha in BalletMet's Giselle this past February, her consummate portrayal of the Queen of the Wilis was marked by steely grace and litheness. The former Cuban National Ballet dancer had defected to the U.S. at 21, and after two years with the Ohio company, she's now closer to the dance career she says she always wanted: one of limitless possibilities.
For 17 years, James Samson has been the model Paul Taylor dancer. There is something fundamentally decent about his stage persona. He's a tall dancer—six feet—but never imposes himself. He's muscular, but gentle. And when he moves, it is his humanity that shines through, even more than his technique.
But all dancing careers come to an end, and James Samson's is no exception; now 43, he'll be retiring in August, after a final performance at the Teatro Romano in Verona, where he'll be dancing in Cloven Kingdom, Piazzolla Caldera and Promethean Fire.
The wait for Alexei Ratmansky's restaging of Petipa's Harlequinade is almost over! But if you can't wait until American Ballet Theatre officially debuts the ballet at the Metropolitan Opera House on June 6, we've got you covered. ABT brought the Harlequinade characters to life (and to the Alder Mansion in Yonkers, NY) in a short film by Ezra Hurwitz, and it's a guaranteed to make you laugh.
When an anonymous letter accused former New York City Ballet leader Peter Martins of sexual harassment last year, it felt like what had long been an open secret—the prevalence of harassment in the dance world—was finally coming to the surface. But the momentum of the #MeToo movement, at least in dance, has since died down.
Martins has retired, though an investigation did not corroborate any of the claims against him. He and former American Ballet Theatre star Marcelo Gomes, who suddenly resigned in December, were the only cases to make national headlines in the U.S. We've barely scratched the surface of the dance world's harassment problem.
Many choreographers have been defeated by Stravinsky's Rite of Spring. However, one dancemaker whose stridency, rhythmic daring and sheer inventiveness could possibly match Stravinsky's is Wayne McGregor. For his first commission from American Ballet Theatre, McGregor has taken on this earth-cracking music in AFTERITE, to premiere at ABT's Spring Gala. Also on the May 21 gala program are excerpts from Alexei Ratmansky's restaging of the comic ballet Harlequinade, the full version of which will premiere next month, and a pièce d'occasion by tapper Michelle Dorrance. May 21–26. abt.org.
If diamonds are a girl's best friend, it's safe to say that faux-diamond earrings are a dancer's best friend. A fixture onstage at just about every competition weekend, these blinged-out baubles are also the surest sign that recital season is upon us again. And what better way to get into the sparkly spirit than by drooling over these 5 diamonds in the rough? (Sorry not sorry!)