6 Toe Pads That Are Serious Pointe Shoe Game-Changers
Finding the right pointe shoe is hard enough. But as any serious ballet dancer can tell you, it's only half the battle. The padding you pair with your pointe shoes plays a big role in your ability to stay on your toes pain-free (or close to it) through classes and rehearsals. When Second Skin squares alone won't cut it, there's a new generation of toe pads to provide relief.
Photo by Nathan Sayers
Chances are you've seen these pads (and the telltale blue putty that comes with them) on your Instagram feed. The completely genius PerfectFit inserts are actually customized molds that fill any spaces between your toes and your shoe vamp, and help reduce pressure on commonly irritated spots like bunions. Though they've only been around for a few years, PerfectFit pads have already gained a huge pro following, including New York City Ballet's Sara Mearns, Royal Danish Ballet's Holly Dorger and Los Angeles Ballet's Bianca Bulle.
These tiny pink dots can be used on their own or in addition to your usual padding. Created to reduce irritation and blisters, the dots are made from hydrogel, which has a cooling effect on the skin and is actually popular in the medical field for its ability to serve as a hydrating barrier to wounds. You can buy 'em in bulk with their 90 piece jar, or test them out with their 20 piece packets (perfect for storing in your dance bag, by the way).
The first ever toe pads specifically designed for dancers with longer toes (or bunions that need a little extra protection), Gellows' have extended sides that can be cut to perfectly fit your foot. Though they're made with a layer of gel between two layers of seamless sock material, they're still thin enough to let you feel the floor.
If it's your pinky toes that seem to take the brunt of your pointe work, consider these conical-shaped pads. Designed to slide right over your pinky toe (or really, any of your smaller toes), the polymer gel pad helps prevent blisters and corns.
Eurotard's thinnest (and sparkliest!) toe pads, the Fashion Lites also include ventilated holes throughout to let your toes breathe. The flexible material stretches to cover your toes and bunions, and can be trimmed for a customized fit.
These colorful minis are designed to sit perfectly in the platform of your shoe, helping to absorb the shock of impact while you dance. Made of hypoallergenic medical-grade silicone, the flexible pads come in three sizes (small in pink, medium in light blue and large in white) to correspond to your pointe shoe size.
Just four years ago, the University of Southern California's Glorya Kaufman School of Dance welcomed its first class of BFA students. The program—which boasts world-class faculty and a revolutionary approach to training focused on collaboration and hybridity—immediately established itself as one of the country's most prestigious and most innovative.
Now, the first graduating class is entering the dance field. Here, six of the 33 graduates share what they're doing post-grad, what made their experience at USC Kaufman so meaningful and how it prepared them for their next steps:
Every dancer knows there's as much magic taking place backstage as there is in what the audience sees onstage. Behind the scenes, it takes a village, says American Ballet Theatre's wig and makeup supervisor, Rena Most. With wig and makeup preparations happening in a studio of their own as the dancers rehearse, Most and her team work to make sure not a single detail is lost.
Dance Magazine recently spoke to Most to find out what actually goes into the hair and makeup looks audiences see on the ABT stage.
On a sunny July weekend, hundreds of Seattle-area dance fans converged on tiny Vashon Island, a bucolic enclave in Puget Sound about 20 miles from the city. They made the ferry trek to attend the debut performance of the fledgling Seattle Dance Collective.
SDC is not a run-of-the-mill contemporary dance company; it's the brainchild of two of Pacific Northwest Ballet's most respected principal dancers: James Yoichi Moore and Noelani Pantastico. The duo wanted to create a nimble organization to feature dancers and choreographers they felt needed more exposure in the Pacific Northwest.