Founder Susan Avery (front middle) and the New York Pacemakers pose with guest choreographer, Afra Hines, at a recent rehearsal. Courtesy New York Pacemakers

Meet the New York Pacemakers, a Senior Dance Team That Mingles with Broadway Talent

For Susan Avery, founding the New York Pacemakers senior dance team fulfilled a lifelong dream. As a child, she'd always wanted to dance, though tight family finances kept her from taking lessons.

When she became a journalist, her hunger for dance still hadn't diminished. "I started taking lessons everywhere I could. Tap, salsa, African, ballet, modern—I took everything." At that point, it was a hobby, but she couldn't shake her dream: "I always wanted to be a professional dancer."


In 2017, she got her chance. Avery auditioned for and landed a spot on the Surf Squad, the official dance team of the Brooklyn Cyclones Minor League Baseball team. Despite being much older than the rest of the team, Avery, now 59, had the dance chops, and the squad loved her.

But it didn't work out as planned. "A few weeks into it, the social-media bashing started," she says. "It was really hurtful and horrible. They were insulting my looks and my age and 'what is she doing?' " At the season's end, she turned in her uniform thinking her performing days were over.

Afra Hines demonstrates a lunging movement for the dancers.

Afra Hines teaches the team a new routine.

Courtesy New York Pacemakers

But soon, she got the idea to launch her own dance team, specifically for seniors. "I put an ad in Backstage and Playbill, and I said, 'If you're over 50, come.' " A friend who was a former Knicks City dancer volunteered to be the choreographer, they held an audition, and the New York Pacemakers were born.

Their slogan, "We dance with heart," sums up their goal. "We may not be the best dancers out there, but we're here because we love dancing. We really do put our hearts out there," says Avery. "That's the point: You don't have to be a professional on Broadway to be able to get off the couch and just move and inspire other people."

The team ranges in age from 50 to 81—and they proudly sport their birth years on the back of their jerseys. They're a diverse bunch, including a former Rockette, two therapists, a Wall Street professional, several teachers, a developmental specialist, two professors, a U.S Air Force Vietnam veteran, a yoga teacher and a clergy member.

A group of dancers lunge sideways with arms outstretched. They are wearing blue jerseys that display their birth years on the back.

Team members show off their birth years in rehearsal.

Courtesy New York Pacemakers

In an ironic twist of events, the troupe made its debut performance last summer at—you guessed it—a Brooklyn Cyclones game. "The crowds love us," says Avery. "There were overwhelming, rousing cheers from the audience. When I came off the field, I just cried because it was so validating to everything I've always wanted."

At a recent rehearsal, the studio was buzzing with energy. A few newbies were there for a trial, and the troupe was learning a routine by guest choreographer and Broadway performer Afra Hines, who most recently appeared in Hadestown. Her mother, Mary Anne Holliday, is a member of the Pacemakers and a former professional dancer herself.

The team has a flair for the dramatic, not to mention a great sense of humor: Hines had choreographed a tongue-in-cheek number set to a mix of Twisted Sister's "We're Not Gonna Take It" and the Ramones' "I Wanna Be Sedated."

When rehearsal wrapped, Avery reflected on the past few years: "I can't believe that at this age—I'm going to be 60 in a couple of months—I've been able to create what I've wanted my whole life." The New York Pacemakers will be performing throughout the summer, including five appearances at Brooklyn Cyclones games.

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Courtesy Esse

What It Was Like When Ruth Bader Ginsburg Was in the Audience—or Backstage

The 27 years that Ruth Bader Ginsburg spent on the U.S. Supreme Court were 27 years that she spent as one of Washington, D.C.'s most ardent, elegant and erudite supporters of the performing arts. The justice, who died on September 18 of metastatic cancer, was also an avid cultural tourist, traveling to the Santa Fe and Glimmerglass operas nearly every summer, as well as occasionally returning to catch shows in her native New York City.

Ginsburg's opera fandom was well known, but her tastes were wide-ranging. Particularly in the last 10 years of her life, after Ginsburg lost her beloved husband, Marty, it was not unusual for the petite justice and her security detail to be spotted at theaters several nights a week. She saw everything, from classic musicals to serious new plays, plus performances that defied classification, like Martha Clarke's dance drama Chéri, with Alessandra Ferri and Herman Cornejo, which toured to the Kennedy Center in 2014.

To honor Ginsburg, Dance Magazine asked three dance artists whose performances the justice attended to recall what Ginsburg meant to them.

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